VINCINT (photo: Matthew Takes) New music from top-notch out artists for your weekend… First up, acclaimed singer-songwriter VINCINT has teamed up with the cast of Netflix’s Emmy Award-winning series, Queer Eye, to unveil the music video for “Be Me.” Directed by Jake Wilson (Cher, Lizzo, Jonas Brothers), the video was filmed by VINCINT and the Fab Five using their iPhone cameras during quarantine. The track is pure musical joy. “It’s a celebration of the self!” says VINCINT. “A moment to believe that you can be more than what you thought you ever could. This video is a burst of light in a time where light is so needed.” “Be Me” premiered in the official trailer for Season 5 of Queer Eye – which is set in VINCINT’s hometown of Philadelphia, Pennsylvania. I covered VINCINT’s earlier release, “Save Myself,” here.
California-based Tommy Boi serves up a bit of hopefulness with this heart-on-sleeve pop ballad, “blessing in disguise.” “I grew up as a pastor’s kid so coming out was always like this scary thing that I knew I was going to have to do eventually,” says the young out artist. “I was also made fun of in high school because I was new and kids assumed, I was gay before I was ready to come out. “It was really painful and hard to know people were making up rumors and talking about me,” he adds. “Anyways, I think this song was just a culmination. It’s me singing to myself while I’m going through it, hoping that everything turns out to be okay in the end.” I hear Tommy is currently working on a music video for the track, but to be honest – I like being able to experience Tommy’s open, plaintive vocals set atop the haunting, melancholy piano soundscape without a visual to distract me. Look for his new four-song EP due out late July.
Kim Petras in “Broken Glass” (screen capture) Pop sensation KimPetras has teamed up once again with producer and DJ Kygo to release the music video for their pop-tastic collaboration, “BrokenGlass.” The video for the song, which appears on Kygo’s third studio album, Golden Hour, depicts Petras as the queen of a dystopian-inspired, post-apocalyptic nightscape. Kygo is certainly the artist of the moment. Last week, the producer/DJ held 16 spots on the Billboard Hot Dance/Electronic Songs chart beating out Lady Gaga’s 13.
Neon Trees drops their new single, “Mess Me Up,” in advance of their upcoming album, I Can Feel You Forgetting Me due out July 24. “’Mess Me Up’ is the gut-punch of our new album,” says NeonTrees‘ lead singer, Tyler Glenn on the single. “It’s a plea to not let the pain of a break-up linger, set to the tune of a slow dance.” “What I love tonally is it sounds like that one last dance on prom night before we end it all,” adds the out frontman. “If you’re gonna mess me up, get me addicted, ruin a few good years of my life–Act like you know me and don’t do it slow.”
Nadia Vaeh (photo: Kate Romero) Out singer/songwriter Nadia Vaeh brings an upbeat and inspirational message to audiences via her new track, “RiSE“. The Atlanta native began singing at the age of two and by middle school was performing in a traveling youth choir. Her artistic journey continued as she began booking modeling gigs and joined a local Atlanta circus. It was amid those divergent but creative outlets that music took on a more central role in her life. Her mother was a poet who passed on her love of words fueling Nadia’s talent as a lyricist. But the young artist’s life took an unexpected turn at the age of 17 when she lost her mother to suicide. Experiencing a turbulent chapter in her life, she dismantled her high-school band and stepped away from music for a time. What followed was a period of self-sabotage and unhealthy relationships until she reached back into her musical artistry for healing. “I made a lot of missteps when I first began my career and had to learn a lot of things the hard way.” Inspired by sounds from all over the world, the alt-pop artist has been heavily influenced by her time spent in the Netherland Antilles island, Curaçao. She also draws from the roots of her father’s homeland of Lebanon and has an affinity for middle eastern music. The new single “RiSE,” featuring Hazel Rose, is a mid-tempo musical cocktail blending hip-hop with a touch of reggae. Vaeh’s vocals dance across the heavy beat as she drops her message of positivity – “Life’s a ride, not a raceway.” I recently chatted with the artist about the new release as well as where she finds inspiration and what helps her recharge.
The Randy Report: Congratulations on “RiSE” – what inspired you to write and record the song? Nadia Vaeh: Thank you! The homies and I were all reflecting on what a fast-paced world in which we live and the many barriers that divide us from true human connection. I think we must have all felt the weight of shifts yet to come that night or something. I know we talked a lot about the flaws within society, as we were writing. The line “life’s a ride, not a raceway” kept coming up and that line has taken on more meaning than I think we all even knew on the eve we wrote “RiSE.” TRR: Do you have a process when it comes to songwriting? Lyrics or music first? NV: It varies from song to song! Sometimes a whole song is born from two lines I’ve written in my notepad, other times, I just can’t get a melody out of my head. I am definitely a more word driven writer though and I would say 9/10 songs the words or concept come first and attach themselves to a melody. Sometimes I don’t even feel like I’m in charge when I am in the flow-state space of a writing session. It becomes bigger than what I thought I wanted to write about. TRR: You grew up in Atlanta, a major music city in the U.S. Now, Los Angeles has its groove, NYC has its vibe, Nashville has its thang. Does Atlanta have a certain flavor? If so, what did you take away from your time there? NV: Yesss! Atlanta has a fun vibe. It is a very artsy and diverse city with a charming grit. It’s Hotlanta for sure!! It’s humid and hot in the summers but the city stays so alive even on the hottest of days there are always cool events happening all over the city. I am proud of my hometown! TRR: I have to ask – you joined your local circus when you were younger? What did you do in the circus? NV: This is going to be a long answer… So I woke up one day and knew I just was not happy, I was not me. In that same day, I quit my job, I quit school and I quit my boyfriend. My spirit was to a point where a change was needed. My life as it was, was not lending to me being able to really pursue my dreams of being an artist. I was in my last day at the nice loft I shared with my boyfriend at the time, doing a final load of laundry (I was seriously downgrading my digs and moving into a very cheap crapshoot apartment) when I realized as fate would have it, I was out of detergent. So I went down to the only neighbor I had had small exchanges within my time living there and went to ask to “borrow” a cuppa soap. He was a quirky fellow, always dressed very steam-punk/circus-y…our small exchanges usually consisted of “hello, how are you” and incorporated funny accents. I peeked behind him as he agreed to help out with my soap saga and saw all these trapezes, mats, and open space. I asked him what that was all about and he explained he ran a local circus to which I confided I had always wanted to join the circus ever since I saw my first circus show at 11 years old. He asked me “well, why haven’t you?!” while gesturing with his arm into his space and I agreed to come to practice with them for hand to hand acro. It was in that moment I was forever changed. I worked with him on getting stronger and more flexible (at this time, I don’t think I had ever even done a push up) and I had my first performance experience with them for a series of Valentine’s day shows. I was also asked to sing for these and this event REALLY changed my life. In rehearsals, I met my first songwriting partner with whom I learned so many fundamentals. We wrote a lot of folk stuff. I might pull a GAGA and release a different vibe project pulling from those pieces and those days. I <3 the circus and all it taught me. Forever changed from all the circus performers I got to meet because of that experience too. Nadia Vaeh (photo: Kate Romero)TRR: Best advice you’ve ever been given? NV: It’s so cliché, but stop letting what people think get to you. It’s so damn true!!! The moment we go to that headspace of fear of judgment is the moment we stop being ourselves. Also, another one ya hear all the time…don’t give up!! There have been so many instances where things have been so difficult and for seconds I’ve considered throwing in the towel. When I think back to those moments of weakness or fear, I also see so many incredible moments or friendships I would have missed out on as well as getting to know myself again. TRR: When you’re not making music, what do you do to recharge your creative self? NV: I love to dance and move my body. If I am in a creative rut, I know it’s because I am not present enough with my vessel. Getting outside helps too, whether it’s just going on s walk around the block or a full nature excursion. Mother nature is our best healer.
A portion of the proceeds from “RiSE” (now available at all digital download sites) will be donated to the Human Rights Campaign. For more info on Nadia Vaeh’s artistry head over to NadiaVaeh.com.
Yanni Burton (courtesy photo) Some news items you might have missed: • Newsweek: Producers for The Ellen DeGeneres Show have denied rumors that the long-running talk show is coming to an end following the continued backlash against the host. The Sun alleges the show is set to be axed due to ratings falling 14 percent to a new season 17 low rating of 1.2. • Out Music: Yanni Burton (top photo) turns the spotlight on his own struggles of letting go and moving on from past relationships in his new single and music video, “A Part of Me.” “I have a history of getting lost in memories and emotions,” says Yanni. “To the point where I become consumed with panic, anxiety and I can’t function properly or move on with my life.” Produced by Yanni with his close friend Tiger Darrow, the song contains a dreamy, trippy soundscape and is darker and more emotionally intense than his previous singles. However, it still contains the pop/dance feel the artist has become known for. Check it out below.
• Vanity Fair: The Trump campaign is considering canceling the Republican National Convention in Jacksonville, Florida after the city mandated that people wear masks indoors to slow the explosion of COVID-19 cases. • KIT212: Hit up Kenneth’s latest round-up of the what’s what in local LGBTQ publications like South Florida’s Hot Spots (below). • Pink News: Utah County Commissioner Nathan Ivie, 40, who came out as the state’s first openly gay elected Republican last year, just lost his bid for reelection. He says his loss is “absolutely” because he came out. He won his previous election by 81 percent. • Gay Star News: RuPaul has completely wiped his Instagram account of all posts and deleted his Twitter account entirely – but fans don’t know why. Nevertheless, fans have come up with all sorts of theories as to why the accounts have disappeared.
Good Evening, “RuPaul” was a 59 year sociological study conducted by Harvard University. We are now complete with our study. Thank you for your time.
Bright Light Bright Light (Rod Thomas) & crew in ‘I Used To Be Cool’ (credit: Tyler Jensen)Bright Light Bright Light serves up a bouncy, Fire Island beach-y synth-pop bop with the release of his latest song and video “I Used To Be Cool.” A cheeky ode to cherishing your “15 minutes in the sun,” the music video for the new track is a campy homage to ’80s/’90s cinema, that feels one-part summer romance, one-part John Waters irreverence, and one-part classic MTV music video nostalgia. (screen capture from ‘I Used To Be Cool’) Fans of the 1980s will recognize tribute moments to Risky Business, Fast Times at Ridgemont High, Desperately Seeking Susan and the music videos for “Magic” by The Cars and “Rock the Cradle” by Billy Idol. The new video finds Bright Light Bright Light (aka LGBTQ pop star Rod Thomas) and two friends tending to the summer housework of a dreamy heartthrob. Not-so-subtle swooning, a saturated daydream sequence, and warm synths all add up to the perfect musical 80s homage for your July 4th holiday.
This is the third single from the artist’s upcoming album, titled Fun City, a collection of 80s-inspired dance-pop, as well as a musical love letter to the LGBTQ community. According to Thomas, the vocals for Fun City were recorded on the empty dancefloor of East Village gay club Bedlam, a conscious decision made in an effort to channel the energy of the queer trailblazers that influenced him like Sylvester, Erasure, Scissor Sisters and Hercules & Love Affair. The title of the album is a historical reference to a quote from NYC mayor John V. Lindsay who on his first day in office in 1966, amidst a crippling transit strike, said “I still think it’s a fun city.” A Randy Report favorite for years, Bright Light Bright Light has been a staple of the international LGBTQ+ music scene for over a decade, having released three prior albums and touring as both a solo artist and as support alongside pop royalty like Elton John, Cher, Erasure, Ellie Goulding and Scissor Sisters. Check out my previous coverage of Bright Light Bright Light here.
Out singer/songwriter Paul Middleton In the wake of Pride festivals and celebrations around the world being canceled during Pride month, out UK singer Paul Middleton lifts spirits with an all-new cover of the Kelly Rowland and David Guetta hit track, ‘When Love Takes Over’ with a Pride-themed music video to celebrate Pride Month. From Middleton:
With pride canceled and with the lockdown affecting everyone, I tried to capture what made people happy in their day to day lives and connect to the lyrics of the song.
From a mental health approach, we all have gone through tough times together. I wanted this video to show that by doing something positive and healthy for yourself it can have a great knock on effect.
From a pride perspective, I wanted to capture the colourful diversity and beauty in the scene. I am so grateful to these beautiful people that gave their time for this video. When love does take over – great things happen to you.
It’s the last weekend of Pride 2020, and since we can’t get out on an actual dance floor here’s new music to bop to from Lizzo and the Fab 5, Ariana and the Rose, The Aces, GRiZ and Sara Bareilles. • Self-care queen Lizzo teams up with the men of Queer Eye for the music video for her hip-hop/pop tune, “Soulmate.” The colorful video is an animated Pride-themed romp with the Fab 5 as Lizzo picnics with Bobby, throws a corgi party with Antoni and throws down a pole dance with Karamo.
• Ariana and the Rose serve up an inclusive, colorful celebration of all kinds of love with “True Love.” The synth-pop dance track is a bouncy bop, and the video features six diverse, real-life couples spanning the diverse spectrums of race, age and sexuality. Ariana DiLorenzo, the band’s frontwoman, is a “proud and fierce ally for the LGBTQ community,” and told NewNowNext that performing at Pride events, lending her voice as a soundtrack to the celebrations, “is an honor.”
• “Daydream” is the latest single from Utah-based all-girl pop/rock band The Aces. While the infectious track is about long-distance lovers, the tune can easily relate to the distance many of us are feeling during the ongoing pandemic. The band, launched by queer sisters Cristal and Alisa Ramirez, decided to make the video about the crew out on a summer adventure rather than a too “on-the-nose” tribute to romance.
• Multi-instrumentalist and producer GRiZ releases his new single, “Medusa,” featuring DJ and producer Wreckno. What he coins his ‘queer anthem banger’ is a bass-fueled, hip-hop-laden slice of empowerment, created to uplift the underrepresented LGBTQIA+ voices in dance music. In celebration of Pride Month, “Medusa” is a message to queer kids encouraging them to embrace exactly who they are. (Explicit lyrics).
• And finally, Sara Bareilles covers the title track from the Grammy/Emmy Award-winning TV special, “Free To Be…You And Me.” Bareilles’s pure, soulful voice is perfect for the folk/pop tune. Created by actress and activist Marlo Thomas (That Girl) in 1972, the iconic album, book, and television special was the first anti-racist, anti-sexist, anti-judgment entertainment for children. All proceeds for the project will benefit NAACP Legal Defense Fund. Fans of the song will notice the new version of the includes two lyric changes. The word “children” has been changed to “people” in one of the song’s main refrains. And, in order to better embrace the non-binary community, a lyric that referred to ‘boys’ and ‘girls’ growing up to be ‘men’ and ‘women’ was rewritten: “Every child in this land, may you all understand, that you’re proud and you’re strong and you are right where you belong.”
Some news items you might have missed: • The Gaily Grind: The U.S. House unanimously passed a bill Friday that would establish the Pulse nightclub in Orlando as a national memorial site, four years after a gunman opened fire on hundreds of people inside the club, killing 49 LGBTQ Americans and wounding dozens more. • Texas Tribune: Gov. Greg Abbott on Friday expressed regret for the first time about the reopening process he spearheaded during the coronavirus pandemic, saying he should not have allowed bars to open as quickly. “If I could go back and redo anything, it probably would have been to slow down the opening of bars, now seeing in the aftermath of how quickly the coronavirus spread in the bar setting,” Abbott said. • New Music: The late Harry Hains, a compelling musician, actor (best known for American Horror Story, The OA) as well as artist and model, didn’t define himself by the constructs surrounding us, and his concept of ANTIBOY offers a portal into an age of existence where there is complete unparalleled freedom to live without preconceptions and societal labels. At a time when society is rising up to break down old systems and demanding equality for all, Harry’s personal perspective of the intersection of sexuality, gender, race, and self-expression endures because of its cultural relevance.
• NY Times: In the middle of a world-wide pandemic, the Trump administration asked the Supreme Court late Thursday to overturn the Affordable Care Act — a move that, if successful, would bring a permanent end to the health insurance program popularly known as Obamacare and wipe out coverage for as many as 23 million Americans. • NPR: Donald Trump’s disapproval numbers are at an all-time high, according to a new NPR/PBS NewsHour/Marist poll. Trump’s approval rating sits at just 40% overall, while a record 58% disapprove. What’s more, a whopping 49% of voters “strongly disapprove” of the job Trump is doing. That kind of intensity of disapproval is a record never before seen for this president or any past one. • Twitter: Add another musical group not having Donald Trump use their music at his rallies. Brendon Urie, lead singer for Panic! At The Disco, made it short and sweet in tweeting his disgust at the Trump campaign for using one his band’s song during its MAGA rally in Phoenix this week. “Dear Trump campaign,” Urie wrote on Twitter. “F*ck you. You’re not invited. Stop playing my song. No thanks, Brendon Urie, Panic! At The Disco & company.”
Dear Trump Campaign,
Fuck you. You’re not invited. Stop playing my song. No thanks, Brendon Urie, Panic! At The Disco & company. — Brendon Urie (@brendonurie) June 24, 2020
Emmy/Grammy/Tony Award winner Billy Porter drops this disco-tastic new track, “Finally Ready.” Porter describes the collaboration with The Shapeshifters as “a declaration of Pride, of breaking free from past traumas to take a chance on love.” Cinematic strings, live horns and Billy’s unmistakably powerful voice create a sonic dancescape complete with a message of Pride via Billy’s joyful lyrics. “Finally Ready” hits on so many levels for me,” says the Pose star. “First, being ‘finally ready’ to experience what real love is. And thankfully, I have somebody who loves me enough to love me through trauma, to be present, and allow me to grow, into this.” “I’m also ‘finally ready’ to be who I am, who I’ve always been,” he adds. “It has been a rough road, I’ve been through so many changes, but I always kept the faith and now I’m here.” “And lastly, I’ve made a lot of different kinds of music – R&B, show tunes, ballads. But it should come as no surprise to anyone at all that disco is in my blood! I love to feel sparkly and have that light shine back into the audience. So, yes, I am ‘finally ready’ to make a classic disco record.” “Now, let’s dance!”
Singer/songwriter Josey Greenwell (photo via Big Picture Media) In advance of his upcoming album, City Games, out singer/songwriter Josey Greenwell recently released a teaser music video, “102.” Greenwell and his co-writer/producer Daneon penned the track (featuring Philup Banks) about “the feelings of ‘compare and despair’ with seeing everyone online living lavishly, when in reality that’s not their truth.” Wait – you mean, everyone’s fabulous Instagram lives aren’t real??? The handsome indie artist adds that the title is “a play on the phrase ‘keep it 100,’ but the song’s BPM is a chill 102 so, keep it chill and keep it real!” The Latin-infused mid-tempo track has an infectious bounce that’s pretty hard to resist. And if you listen to the lyrics of “102,” you can hear part of Greenwell’s personal story shared loud and proud.
I’m first to admit been a hot messAnd I had more names than your contactsThought I was too cool but too lameNow he straight, now he gayAnd I talk kinda funny but I put it downGotta grow up and own what you throw around
Greenwell initially moved to Nashville after graduating high school to pursue his dream of a career in music. But in a series of videos posted to his YouTube channel, titled The Road To Me, the artist candidly shares how homophobic advice from ‘industry experts’ repeatedly urged him to stay in the closet. As years went by and a few seemingly promising deals fell through, Greenwell, at the age of 21, released an independent album of all his work to date, titled My Life on the Radio. Marketing the indie release on his MySpace page, he won a fan-voted contest to be the opening act for Little Big Townʼs 2009 “A Place To Land” Tour in Tulsa, Oklahoma. He went on to open for more country acts such as Zac Brown Band, Dierks Bentley, and Steve Holy. He also hosted and performed at various LGBTQ Pride Events across the nation. But with no record label, management, or financial support, Greenwell became increasingly discouraged. Unhappy with his career, Greenwell moved to Miami, Florida, and in 2012, he released his single “Stuck in My Head” which reflected an expanded sonic landscape influenced by his experience in Miami. With this new single and having completed his first European tour, he revisited Nashville record labels hoping to be signed to a record contract. But ultimately, music executives passed. In one of those Nashville label meetings, a few well-known executives advised him to rebrand his image and leave “all questions of sexuality up to the listener.” He was told a good way to be asked fewer questions about his then-referred to “current issue” was to appear “more masculine.” Greenwell shares that he was advised not to do interviews because his “gender expression would be too ‘gay.’” Taking their unfortunate advice to heart, Greenwell moved back to Nashville in the fall of 2013 to begin production on what would become his country-pop EP titled Road Map, released under the stage name “Nate Green.” The blend of country influences coupled with dance-pop production proved popular with a new audience. But it wasnʼt long before the media realized ‘Nate Green’ appeared to be a non-gay version of ‘openly gay, Gay Pride performing Josey Greenwell.’ The result was a frenzy of public backlash, especially from the LGBTQ community, who regarded his seeming retreat back into the closet as a sort of ‘betrayal of gay pride.’ During the period of backlash, Greenwell recalls a writer coming up to him in a club and saying, “Hey, I wrote that awful thing about you.” The artist remembers, at the time, it seemed like the writer almost wanted to be thanked. “This was the journey, and looking back, it was one of the most miserable times of my life,” he admits. “It was what I thought you did since I didn’t know any successful LGBTQ musicians.”
One of the breaking points came when he discovered the word “fa**ot” had been keyed into the side of his car. In a moment of clarity, absent any anger, he said to himself, “Ok, that’s true. That’s who I am – I’m ashamed of who I am. I can’t hide it anymore.” Between his personal struggle with his sexuality, believing he had to suppress who he was in order to live his passion, and the public ridicule of his decisions, Greenwell canceled all further Road Map promotion, set the guitar down, and turned to his next love, fitness. After moving to New York City, he became one of the most prominent fitness instructors in the city at the popular Barry’s Bootcamp. But his love for music and songwriting never faded, so he’s stepped back into his art as he gears up to release his first full-length album, City Games. Today, Greenwell says he hopes maybe he can be ‘that artist’ that didn’t seem to exist for him as a young LGBTQ musician, and perhaps inspire them to shift their perspective. Greenwell releases his newest single, “Cowboy,” Friday, June 28. You can check out the country/pop/hip-hop track here. You can listen to my full interview with Josey Greenwell below.
Singer-songwriter Pablo Alborán comes out (image via Instagram) Some news items you might have missed: • NewNowNext: The pandemic might have forced us to reimagine how we honor Pride Month, but the spirit of Pride is very much alive. Check out this list of 10 virtual Pride events you can attend from the safety of your own home, including a range of events centering Black LGBTQ people amid ongoing actions against systemic racism and police brutality. • The Know: Kenneth Felts, at 90 years old, recently came out as gay to his family and friends. After deciding to write his autobiography during COVID-19 lockdown, he was inspired by the memories of the man that got away. • Pride Music: Fab The Duo has also released their new blues/gospel-tinged music video “Our Love Is Resistance,” the title track from their new EP. The video shows the duo marching down the streets of Manhattan towards The Stonewall Inn, the birthplace of the gay rights movement. Of the title track and music video, Fab The Duo says: “We recorded this song and music video at the beginning of 2020 in a world that feels very different from the one we live in now. Yet this track and its message seem more relevant than ever. We must fight against the hate and injustices of the world at all costs and know that love will prevail.”
• Digital Journal: The Amazon Video series After Forever scored three trophies including “Best Drama Series” at the 2020 Indie Series Awards on Thursday. The second season of the acclaimed series is nominated for six 2020 Daytime Emmy Awards including “Outstanding Digital Drama Series.” • ABC News: Florida continued to set record-breaking numbers of COVID-19 cases, with an additional 4,049 new cases reported Saturday. There were an additional 40 Florida resident deaths related to COVID-19, according to the state’s Department of Health. On Friday, Florida reported what was then its record-high one-day increase of 3,822 cases. • Out: In an emotional video message posted to his Instagram account, Grammy-nominated, Spanish singer-songwriter Pablo Alborán (top photo) publicly opened about his sexuality, and how he is coming out as a proud gay man. “Today, I want my voice to be louder and for it to have more value and weight. I’m here to tell you that I am homosexual and it’s okay. Life goes on, everything will remain the same, but I’m going to be a little happier than I already am.”