Greyson Chance Has A Moment On The Dance Floor ‘Dancing Next To Me’

Greyson Chance has a moment on the dance floor
Out singer/songwriter Greyson Chance shifts into dance-pop mode for his new track and music video, “Dancing Next To Me.” Shot in a club setting, Chance has one of those dance floor encounters where the sexual tension is undeniable. But after giving in to intimacy, Chance finds himself alone at the end of the night. Chance – who first found viral fame with his 2010 Lady Gaga cover of “Paparazzi” – candidly admits the song is based on a real-life experience. “I was growing into feeling comfortable with being vulnerable around this person and then eventually being intimate with them and thinking that there was really something truthful there and something beautiful,” Chance recently told PEOPLE. Chance thought he might have made a love connection, but ended up “having this feeling of betrayal in the morning when the sun rose and the person left.” “He wasn’t confident enough to love me,” said the 22-year-old. “I think in many ways he was afraid to take that step.” I was yours for the weekend Come sunrise, it’s time for you to dodge your feelings Call your girl to deny We know is the truth You were who you wanted to be When you were there, you were there You were dancing next to me “In many ways, whether it’s right or wrong, I hope he hears this song and hates it,” Chance says. “I hope it brings an ill feeling to him just because I felt betrayed.” The song, co-written with producer/songwriter Teddy Geiger, was the first to come out of his collaboration with Geiger because the experience was so fresh in his mind. As he shared with MTV, “I was really tired this summer of being people’s experiments.” Back in November, I covered Chance’s grungy, synth-pop bop, “Boots.” “Dancing Next To Me” is now available on all digital download sites. Check out the music video below.

Ellen Weighs In On The ‘Great Recline’ Debate

Ellen DeGeneres weighed in today on the “Great Recline” debate. You may have heard about a video that recently went viral of a man punching the back of a woman’s chair on an airplane because she reclined her seat. Social media began debating over the controversy over whether passengers should do this or not. Ellen gave her opinion on the debate and reminded everyone of what she says at the end of every episode: “Recline to one another.”

I’m going to offer my opinion here. I think it totally sucks that the man was stuck in the last row and his seat didn’t recline and he had very limited space. As mentioned in the video above, he asked the woman in front of him to raise her seat up while he ate, and she did. The problem came about after he finished eating and she reclined again. I’m claustrophobic. That said, I spent years getting on a plane every week while traveling with the touring companies of Broadway musicals. Since all our tickets were bought as a big group of 30-40 people, I learned I had to plan ahead to avoid being in a situation like this. I would get to the airport early and try to change my seat assignment if I could. Once or twice, it was unavoidable. I would beseech the passengers around me to consider my plight. Often, someone would take pity on me. Other times, I had to tough it out. I would order drinks and close my eyes and meditate and wait for the flight to be over. I think people purchase their seats with the knowledge that practically all of them recline. To me, you’re paying for that. I repeat that I think it sucked the man was in the position he was in, but as an adult, he could have found a different way to cope.

Parody: Randy Rainbow ‘There Are No Rules For Donald’

Political satirist Randy Rainbow is back to brighten our week with his new video, “No Rules For Donald.” The song is a parody of the smash hit “New Rules” by Dua Lipa. As some of the commenters on the YouTube page noted, this is slightly darker than earlier parodies which is perhaps as it should be. There’s not much funny about this situation anymore.

Start Your Week With New Music From Bridesmen “The Times”

Kenton Chen is Bridesmen
Start your week with this terrific new music video from LGBTQ artist Bridesmen. Bridesmen is Kenton Chen who recently starred in Perfect Harmony on NBC. He is also known for his work on NBC’s Sing-Off, as well as his performances with Postmodern Jukebox. The video, titled “The Times,” recently premiered on Billboard. “I want to be very real about just how I’m feeling in my emotions and the things I personally deal with often,” Chen told Billboard. “I don’t necessarily push for just queer messaging, really. I would hope that any of my music is not so niche that people can’t see past what I’m trying to say. The message, especially of ‘The Times,’ should be very universal.” As a gay Asian second-generation immigrant, Chen says he grew up feeling isolated, constantly hiding behind masks to protect himself. In Bridesmen, Chen aspires to uncover these masks in an effort to live a boundless and truthful life.
(image via Instagram)
“I want people to know that as I have grown and matured as an artist and a human being, I’ve come to realize that my specific experiences of being gay and Asian are not particular to me. My life story reverberates far beyond my specificities, and anyone from any race or sexuality can empathize with the need to belong and be understood”, says Chen. Chen has toured with artists such as Katy Perry, Kesha, Sara Bareilles, Mary J. Blige and Jennifer Hudson. His work with Postmodern Jukebox has reached over 8.6 million views on YouTube, garnering attention from across the globe. The neo-soul/R&B singer has also been featured on Fader and Pride. Check out the new music video “The Times” below. Happy Monday!

Elton John Cancels Concert Mid-Show After Losing His Voice

Elton John cancels show after losing his voice due to walking pneumonia (photo: Ben Gibson)
7News in Australia reports international pop star Elton John had to cancel a performance mid-show Sunday night in Auckland when he abruptly lost his voice. Experiencing difficulties in the middle of the show, he left the stage to be examined by a medic. He returned, but after two songs he told the audience in a raspy voice, “I can’t sing. I’ve just completely lost my voice. I’ve got to go, I’m so sorry.” The ‘I’m Still Standing’ singer became emotional and paused to lean on his piano before he was escorted offstage. John later tweeted his apologies to his fans: “I want to thank everyone who attended the #EltonFarewellTour gig in Auckland tonight. I was diagnosed with walking pneumonia earlier today, but I was determined to give you the best show humanly possible.” “I played and sang my heart out until my voice could sing no more,” he added in follow-up tweets. “I’m disappointed, deeply upset and sorry. I gave it all I had.” “Thank you so much for your extraordinary support and all the love you showed me during tonight’s performance. I am eternally grateful.” John is currently in the middle of his multi-year ‘Farewell Yellow Brick Road’ tour.

Video: Olivia Newton-John, Adam Lambert, KD Lang And More At #FireFightAustralia

L-R Olivia Newton-John, Adam Lambert, kd lang
Tens of thousands of Australians filled the ANZ Stadium in Sydney on Sunday for the Fire Fight Australia concert to celebrate national spirit and coming together after the recent brushfires. The ten-hour event was a fundraiser for organizations providing rescue, relief, recovery and rehabilitation assistance to areas ravaged by the brutal brushfires. The line-up included 5 Seconds of Summer, Olivia Newton-John, John Farnham, Michael Buble, Alice Cooper, Amy Shark, Tina Arena, Baker Boy, Conrad Sewell, Daryl Braithwaite, Delta Goodrem, Illy, Grinspoon, Guy Sebastian and Queen with Adam Lambert. According to reports, the event raised just over $9 million. For those interested, you can still donate by clicking here. Check out some of the highlights including k.d. lang’s haunting “Hallelujah;” a spectacular, take-no-prisoners performance of “We Are The Champions” by Adam Lambert and Queen; Australian music royalty Olivia Newton-John and John Farnham on “Two Strong Hearts;” and Australia’s unofficial national anthem, “You’re The Voice” closing out the event with Farnham being joined on stage by Queen’s Brian May and Mitch Tambo.

Review: ‘Happy Birthday Doug’ The Funniest Party In Town

Guest post by Lawrence Pfeil, Jr. If Pete Buttigieg thought people were talking about his donor party in a wine cave, just wait till bitches start talking about Doug’s 41st birthday party in a Silverlake wine bar. Crashers, exes, and a ghost, Girl, please! This is only the beginning in Drew Droege’s hilarious one-manic, tour de toast, Happy Birthday Doug now playing at the Soho Playhouse through March 1st. Last seen in his critically acclaimed run of Bright Colors and Bold Patterns, Drew Droege returns to the stage and flips the script.  Before he was one queen holding court poolside; this time he’s a gaggle of gays bestowing birthday wishes on Doug. With only five bar stools crowned by a different beverage, Droege sips um… slips from totally *sober* crasher, to dim-witted woke cater waiter, party whore, ex from Hell (why was she invited???), a couple of insufferable husbands, and the guest list goes on.  The side-splitting, ten-minute opening monologue launching the party is worth the ticket price alone. Drew Droege’s multiple personality writing and performance disorder are on colorful display for 70 brilliant minutes.  His characters are strikingly familiar yet so insanely detailed as to never feel clichéd. One has to wonder: how many other voices is he hearing and are they all this hysterical? Happy Birthday Doug is the party you hope isn’t yours because no one will ever forget, but you shouldn’t miss for the world. Michael Urie presents Happy Birthday Doug A New Comedy Written and Performed by Drew Droege Directed by Tom DeTrinis Limited Engagement through March 1st Soho Playhouse 15 Vandam Street, New York City Thursday through Saturday at 9:00, Sunday at 3:00 PM 70 minutes, no intermission. All tickets available at happybirthdaydoug.com Happy Birthday Doug is a follow up to Bright Colors and Bold Patterns, Droege’s hit hailed as “scorchingly funny” by The New York Times, which enjoyed a celebrated five-month off-Broadway run at the SoHo Playhouse in 2018 and is also available from BroadwayHD. https://www.broadwayhd.com/   Lawrence Pfeil, Jr., is a freelance writer/playwright who has reviewed film and theatre, both on and off-Broadway, for media outlets including The Randy Report, the New York Blade, and Edge Publications.  

Funny: ‘Bad Boy’ Takes Care Of ‘Daddy Scott’

Drew Canan nurses Artie O’Daly (screen capture)
Artie O’Daly is back with a new episode of his popular ‘Bad Boy’ web series. This is the 11th installment of O’Daly’s off-beat, wild and wacky world of ‘Bad Boys’ where no one really seems to be following anyone else’s conversation. The short film opens ‘Bad Boy’ Jim (Drew Canan) explaining a faux robbery he attempted naked and armed with just his hot dog. Cue the series of weiner jokes peppered throughout the clip. Scott (‘Daddy Scott’) played by O’Daly isn’t feeling great, so he shuts down work early. Jim immediately jumps into action to take care of Scott providing tissues, furry cuddle buddy, and some pills. What kind of pills? Who knows? Jim also offers to rub Scott’s chest with VapoRub, which somehow leads to pouring baby oil on his own chest and rubbing things around. Cue the 70s porn music. Along the way there’s a worker at the door who wants to work on Scott’s ‘crack,’ and Aunt Whitney may (or may not) have a dead paramour upstairs. Props to O’Daly for his consistently off-kilter dialogue that keeps the ‘Bad Boys’ universe so quirky and entertaining. You can check out my previous coverage of the ‘Bad Boy’ series here.

Out Music: Kyle Motsinger ‘Whenever’

Out singer/songwriter Kyle Motsinger drops his latest music video, “Whenever,” just in time for Valentine’s Day. As folks think on celebrating their relationships, Motsinger says his new bop is about being single and being ok with waiting for the right someone. I chatted with the talented ginger about the track, his plans for V-Day and more.


The Randy Report: Your new music video, “Whenever,” is way cute. What was the inspiration behind the project? Kyle Motsinger: Thank you! I started thinking a few months ago that “Whenever” could be a great Valentine’s Day/Singles Awareness Day video. I think about how fun that holiday was in grade school. I remembered making construction paper hearts and other crafts in class. The hanging hearts in the video are straight out of my first-grade class! Everything else fell into place. I found a great photography space in Brooklyn called Egg Studios that had multiple colored backdrops and my director, Tyler Milliron, (Milliron Studios) got the idea to do stick puppets from a production of Beauty and the Beast that he filmed the prologue for. I liked the theatricality of that. This video is very me. haha TRR: It seems every romantic comedy and pop song promotes finding “fulfillment” in a relationship as if being single is a ‘tragedy.’ But “Whenever” comes across like the ‘anti-Valentine’s Day’ song for folks who are single and doing A-okay. Was that your message? KM: Well, it’s not exactly anti-Valentine’s Day. I’m totally happy for couples celebrating it. I also think loving yourself and your loved ones should be celebrated on that day and every day. See my video for “Love on Each Other!” However, it’s definitely also a singles anthem and a message to those who are single to not worry about it. It’ll happen “Whenever” it happens. TRR: There’s a lot of truth in your lyric, “When you least expect it, that’s when hearts collide.” I remember desperately wanting a boyfriend years ago. Honest to god, it wasn’t until I let go of that that I met my husband (of 25 years now). KM: I love that! Congrats on 25 years! My last and most serious relationship happened when I wasn’t looking. I’m definitely on a few dating apps but I don’t check them much and haven’t really dated from them. I’d rather spend “Some Enchanted Evening” seeing “a stranger across a crowded room.” There’s that musical theatre again! TRR: Since we’re talking about romantical situations, inquiring minds want to know – are you coupled up or happily single? I’m happily single and have been for a few years. I won’t say no to someone that comes into my life if they’re the right one. TRR: Besides releasing your new music video, what are your plans for Valentine’s Day? KM: I’ll be with my friends at a party. I love them dearly so there won’t be a lack of heart in my Valentine’s Day! Thanks, Randy! I hope you and your husband have a great one too!


I love Kyle’s creative approach to his music and videos. I most recently shared his “Parallel Universes” music video in November. Check out the uber-upbeat music video for “Whenever” below. You can find the track on iTunes here.

Gays Cancel Wendy Williams After She Trashes Them On Air

Wendy Williams got in some serious hot water yesterday by calling out her gay fans. Williams brought up the topic of Galentine’s Day, a way for women to celebrate their gal pals who have been important in their lives instead of buying into all the Valentine’s Day hubbub. She asked the crowd who would be participating and noticed a few men in the crowd were applauded, which apparently set her off. Shot: “If you’re a man and you’re clapping, you’re not even a part of this. You don’t understand the rules of the day. It’s women going out and getting saucy and then going home. You’re not a part. I don’t care if you’re gay. You don’t get a [menstruation] every 28 days. You can do a lot that we do, but I get offended by the idea that we go through something you will never go through.” “And stop wearing our skirts and our heels. Just saying, girls, what do we have for ourselves? Looky here now, gay men, you’ll never be the women that we are. No matter how gay.”

And….chaser: “I’ll start by saying I apologize, I did not mean to offend my LGBTQ+ community on yesterday’s show. I did not realize until I got home, and I watched the second running of our show. “I didn’t mean to hurt anybody’s feelings. I’m just having a conversation. If you know me long enough, then you know…I live and let live every day. Life is too short. I’m 55 years old, and maybe I sounded like your auntie, your mother, your big sister, or somebody out of touch. I’m not out of touch, except for perhaps yesterday by saying what I said. I deeply apologize. “I will do better.”