Music Video “Love Or Drugs” Is A Satirical Take On Hollywood’s ‘Over The Top’ BS

Recording artist Rilanskewers Hollywood with his satirical music video take on the city of angels, “Love Or Drugs.”
Rilan takes aim at ‘over the top’ Hollywood with his music video “Love Or Drugs”

Recording artist Rilan skewers Hollywood with his satirical music video take on the city of angels, “Love Or Drugs.”

Growing up in New Orleans, Louisiana, Rilan knew he wasn’t like the other kids as he spent his time acting, singing, dancing and listening to 70s glam rock and 80s synth pop artists like David Bowie, Prince and Boy George.

When the time came to begin his journey as an adult, Rilan chose to head to Los Angeles and pursue music rather than spend years studying in college.

Rilan thought he would find in the city of angels a community of artists looking to express their authentic selves.

It turns out that wasn’t what the young artist experienced in Hollywood.

(from the music video “Love Or Drugs”)

“Everyone pretends they’re flawless, famous, and filthy rich when in reality they’re broke, broken, and bitter, constantly looking for anything that will make them feel better,” Rilan laments. “Most of the time, that’s sex or drugs.”

Not one to mince words, the 24-year-old calls it like he sees it.

“Everyone I’ve dated in LA has been a user,” says Rilan. “A user of people, money, substances or all three. They are who ‘Love Or Drugs’ is about.”

“‘Love Or Drugs’ is a satire,” he explains. “It’s everything I’ve seen while going out and trying to fit in in the Los Angeles music scene. It’s everything that people do but don’t talk about. It’s ridiculous, it’s over the top, it’s bullshit, and that’s exactly what Hollywood is.”

The former GLEE cast member (he spent 2015 as a ‘Dalton Academy Warbler’) says the only way he knows how to deal with the fakery is to make fun of it.

With an all-star team that includes manager Randy Jackson (American Idol) and Lady Gaga’s choreographer Richy Jackson, Rilan envisioned the music video for “Love Or Drugs” as “an exaggeration of parties in LA.”

Calling the new song “a big F U to pop culture,” the young artist says he rejects what popular music has come to represent nowadays, “Money, sex, drugs, and superficiality.”

Proud of having “never been normal,” Rilan dedicates the new song to “all of the weird kids who showed up to the party and left early because it really wasn’t cool after all.”

Fans think the singer/dancer is pretty cool, though. His debut music video, “Chemical,” has garnered over 2.2 million views on YouTube.

Check out “Love or Drugs” below.

You can follow Rilan on Instagram here, Twitter here, and Facebook here.

New Music: Tom Goss “Wake Alive”

Indie singer/songwriter Tom Goss shares his latest music video, “Wake Alive.” Directed by Goss and acclaimed Baltimore-based artist Scott G. Brooks, the video literally visualizes the concept that we put ourselves in boxes. And in doing so, find ourselves trapped in restrictive perceptions others have of us. Says Goss, “Only by bursting out can we live the free, vibrant lives we’re meant to.”

Indie singer/songwriter Tom Goss shares his latest music video, “Wake Alive.”

Directed by Goss and acclaimed Baltimore-based artist Scott G. Brooks, the video literally visualizes the concept that we put ourselves in boxes.

And in doing so, find ourselves trapped in restrictive perceptions others have of us.

Says Goss, “Only by bursting out can we live the free, vibrant lives we’re meant to.”

From “Wake Alive:”

There’s no sense fighting who you are

So release your ghosts and reveal your soul

You find the time and means to tell your story

Cause in the end it’s all that will live on

Do you put yourself in a box?

The energetic, upbeat pop track comes from Goss’s album, What Doesn’t Break, which was recorded during an emotionally turbulent year of transition after his cross-country move from Washington DC to Los Angeles.

But turbulence and tension can lead to artistic achievement as evidenced by What Doesn’t Break.

Reviewing the album, Killian Melloy of Edge Media Network, praised the collection:

“The ten tracks on Tom Goss’ new album “What Doesn’t Break” have a richer and more complex sound, while still being recognizably Goss in style — though in some cases, the new songs take darker lyrical turns, coupled with equally dark (though compelling) musical ideas.”

In addition, NewNowNext has called Goss’s music “dazzling,” and The Daily Beast says his work is “moving and beautifully composed.”

Check out the latest from Goss, “Wake Alive,” below.

Podcast: The Equality Act, Utah’s hate crimes law, Pete Buttigieg, Out Recording Artist NIKO Releases New EP

In this week’s podcast:

• The Equality Act is reintroduced in Congress

• Donald Trump finally fills appointments to the Presidential Advisory Council on HIV/AIDS

• Utah moves towards a more effective hate crimes law

• Openly gay Mayor Pete Buttigieg qualifies for the first Democratic presidential debate

• Ireland’s gay prime minister meets with uber-anti-gay Vice President Mike Pence

• Out recording artist NIKO releases his new EP

All that and more in this episode of The Randy Report

Out Music: Matt Zarley “He Used To Be Mine”

Out singer/songwriter Matt Zarley’s new music video takes on Sara Bareilles’ masterwork, “She Used To Be Mine.”

As we all know, life is not neat, life is not a straight line.

The road may stretch out in front of us, but every now and then, we do glance at the rearview mirror:

He’s imperfect, but he tries
He is good, but he lies
He is hard on himself
He is broken and won’t ask for help
He is messy, but he’s kind
He is lonely most of the time
He is all of this mixed up and baked in a beautiful pie
He is gone, but he used to be mine

Matt Zarley

Coming from this introspective viewpoint, Zarley finds himself weighing some past decisions.

Zarley writes:

Before I started recording, I spent several really wonderful years doing theatre in New York. When I first heard this song, it reminded me of those experiences and how close I hold them to my heart.

I miss them.

I think any of us can relate to this song and it’s message. I think most of us have regrets to an extent. I know there are times when I reflect on my life and think to myself that this is not where I envisioned myself. Not to say that I am not grateful for my life… cuz I am.

But, if I could go back and have a do-over, there are definitely some things I would change.

There are days when I really miss the guy I used to be…he used to be mine.

The guitar-driven approach to the track, with a lovely yet pensive viola at just the right time, makes a perfect frame for Zarley’s muscular vocals.

The track is available on iTunes here. Hit play below.

News Round-Up: March 13, 2019

Paleontologist, Francesc Gascó, saying 'good night.' #ImNotMad

Some news items you might have missed:

• Paleontologist & InstaHunk Francesc Gascó saying ‘good night.’ #ImNotMad

• The Massachusetts House of Representatives has passed a bill banning the practice of so-called ‘conversion therapy’ on minors. With full passage, Mass would become the 16th state (plus the District of Columbia) to ban conversion therapy for minors.

• Donald Trump has proposed cutting over $1 billion in HIV/AIDS funding in next fiscal budget.

• Former Broadway dancer Marcus Bellamy was sentenced to 20 years in prison for murdering his partner during a drug-fueled argument.

• Utah’s House of Representatives approved a bill that would give teeth to the state’s hate crime law – but only after making not only LGBTQ people but “political expression” protected by the law.

• Los Angeles-based electro-pop musician, Devin Tait, recently debuted his new music video, “By My Side,” from his album, Art Damage.

The video is an wistful homage to late 80s-era Halloween nights, and two young men who discover that there may be more to be found in removing your mask than in hiding who you are.

Hit the play button below.

Prayers Answered For Pastor’s Gay Son On ‘American Idol’

For contestant Jeremiah Lloyd Harmon, being the last audition of the day for American Idol judges Katy Perry, Lionel Richie and Luke Bryan, turned out to be a case of ‘saved the best for last.”
Jeremiah Lloyd Harmon on ‘American Idol’ 

For contestant Jeremiah Lloyd Harmon, being the last audition of the day for American Idol judges Katy Perry, Lionel Richie and Luke Bryan, turned out to be a case of ‘saved the best for last.”

Harmon, the openly gay son of a Catonsville pastor, shared with the judges that he works in his dad’s church as a janitor.

Harmon remembers singing for the first time at four years-old, and that he enjoys his work at the church because “It’s usually just me in the facility, so I’m singing all the time.”

“Just mopping away, doing the trash, wiping down all the toilets and stuff – just cleaning and singing,” he added.

Perry instantly connected with Harmon as a “PK” – ‘pastor’s kid’ – saying, “I feel you, I know you.”

The 26-year-old told the judges he knew he was gay when he was nine years-old, and shares that growing up a “PK” he felt there were parts of him “that do belong, and certain parts of the that don’t belong.”

When he came out to his family three years ago, he was told “this is not a path that I should follow.”

“All of my religion has been stripped down to I love you no matter what,” he added.

He then sat down at the piano to perform an original song he wrote, titled “Almost Heaven,” which he explained was inspired by “questioning if there is a place for me and people like me in heaven.”

The judges were duly impressed.

“You need to lose the broom, my friend,” Richie said. “When you opened your mouth and started singing, I went straight to Billy Joel. Then you kept singing and you passed Billy Joel.”

“Your range is incredible, your voice is incredible,” added Richie.

“Do you know how good you are?” Perry asked Harmon.

Needless to say, the possibly former-janitor is moving to next phase of the competition.

Local ABC news affiliate WMAR profiled Harmon before his American Idol appearance where he shared, “Music is my way of processing my emotional experiences, and my relationships.”

Cameron Hawthorn & The Romance Of ‘Dancing In The Living Room’

Country music artist Cameron Hawthorn comes out as he releases his newest single, "Dancing in the Living Room"
Cameron Hawthorn (image via Facebook)

Having been born in the 1960s, I have distant-but-fond memories of my parents dancing in our living room on Saturday nights as they got ready to head out on the town.

Social ballroom dancing was beginning to decline, but my parents still loved going to dance halls in our town of Fort Worth, Texas.

Being so young, I never got to see them trip the light fantastic out on a dance floor, but they would set  the mood for the evening at home with music on the stereo.

And I remember the romance of it all.

When I grew up and moved to New York City, I discovered gay country/two-stepping nights in Manhattan in the early 1990s.

I hadn’t ever experienced one-on-one social dancing as an adult gay man until those country music-filled nights. The line dances came fairly easy to me, but I was so taken by the partner slow dances.

I never learned how to lead very well, but I could follow (we’ll just leave that there, ok?). And I found it so romantic to move to music while holding another man. I was quite smitten with the concept.

When I moved to Los Angeles to be with my hubby, Michael, I tried to get him to go dancing at Oil Can Harry’s in Studio City, just a few blocks from our first apartment. But he had been teased some years before about his dancing – unfairly so – and he’d become quite bashful about it.

I would teach him the basics in our living room – slow, slow, quick, quick, slow, slow, quick, quick. He was a quick learner, but he never got up the nerve to get out and bust a move on the dance floor in public.

The full extent of dancing with my hubby were those early days in our apartment living room, although he does spontaneously dip me every now and then. No, that’s not a euphemism.

But I remember the romance of it all.

So, it comes as no surprise the new music video from Cameron Hawthorn, “Dancing in the Living Room,” led me to some oh-so-familiar (and very romantical) territory.

Both the song and video are disarmingly charming.

The video features couples ranging from gay, straight, older, and younger, finding a quiet intimate moment together.

And I remember the romance of it all.

Cameron’s vocals are confident and heartfel; the production is top-notch and authentic.

And speaking of authentic – this release is Cameron’s coming out letter to his fans.

The final scene of the video finds the country crooner himself coming home to his boyfriend, and finding a moment to connect as they sway together in time to the music.

Inspired by the message that ‘love is love,’ Cameron says, “For me and for so many others, that message is beyond important. It’s a simple message, but it needs to be told right now in the world we live in”.

Cameron says, after years of avoiding writing about romantic love in his music while living a closeted life, “I finally decided I needed to record and release this as a part of my journey.”

And like music that’s universally compelling, it seems like he’s experienced some of the same thing I did with my guy.

“I remember always thinking how special it was to dance freely with my boyfriend in the living room of our apartment – being gay, it’s not as easy to dance as a couple in public together as it is for a straight couple,” he shares. “I wanted to express how special that moment is for a couple, when it’s just the two of you in the privacy of your own four walls.”

While I share a lot of quality music from out musicians here on The Randy Report, it’s not often I get tipped to gay country artists – although I have featured the very talented Patrick Masse and Drake Jensen in recent years here.

With their successes, along with Nashville’s Chely Wright and Ty Herndon, here’s hoping the door is opened that much wider for the next generation of worthy out country artists like Cameron Hawthorn.

I like. And I think you will, too. Hit the play button below and enjoy.

You can follow Cameron on Facebook here and find more of his music on iTunes here.

Out Music: Ben Platt ‘Temporary Love’

Grammy and Tony Award winner Ben Platt releases his fourth music video, “Temporary Love,” from his upcoming solo debut album, Sing To Me Instead.
Ben Platt in ‘Temporary Love’

Grammy and Tony Award winner Ben Platt releases his fourth music video, “Temporary Love,” from his upcoming solo debut album, Sing To Me Instead.

The first two singles, “Bad Habit” and “Ease My Mind,” featured out actor Charlie Carver as his love interest in days gone by. With the release of the second track, Platt publicly came out as gay via People Magazine.

The third video, “Grow As We Go,” featured dancers Rudy Abreu and Effie Tutko to spectacular effect as, again, Platt seemed to be looking back at lost loves.

“Temporary Love” finds the 25-year-old reassuring a partner that their relationship is NOT temporary, but here to last.

This is not a temporary love
Now your heart is in my hands, I won’t give it up
This is not a temporary love

The music video, directed by frequent collaborator Nick Lieberman, follows the soulful singer wandering through an old, abandoned house while flashes of couples of all types – gay, lesbian, straight, older, younger – flash across the screen.

As in “Ease My Mind,” Platt pairs his powerful voice with a gospel-tinged chorus, providing a comfortable sweet spot for his vulnerable, evocative vocals.

Platt is scheduled to perform the new single March 14 on The Ellen DeGeneres Show.

Sing To Me Instead drops March 29, and Platt has announced a dozen concerts dates kicking off in Chicago, May 3, to support the album release.

Podcast: Georgia vs Gays, Billy Porter Slays On The Red Carpet, Terry Crews Calls Kids Of Same-Sex Parents Emotionally ‘Malnourished’

In this episode of The Randy Report podcast:

• Georgia lawmakers look to legalize LGBTQ discrimination

• The United Methodist Church doubles down on anti-LGBTQ animus

• Formerly homeless valedictorian kicked out of his home for being gay is thriving in college, and just landed a Congressional internship. He also set up his own scholarship foundation. Click here for more info.

Pose star Billy Porter brings political discourse to the Oscars’ red carpet

• Out singer/songwriter Kisos shares his ‘five stages of grief’ with “Happily Ever After”

Brooklyn Nine Nine’s Terry Crews got called out for saying kids of same-sex parents will grow up emotionally ‘malnourished’

All that and more in this episode of The Randy Report.

I want to send a big shout-out to everyone who’s hit up the podcast over the past couple of years.

It’s amazing to see the growth in numbers of folks discovering the podcast in such an organic manner, and I want to thank everyone for taking a listen and spreading the word about the podcast.

I always look at the podcast as the kind of “LGBTQ catch-up” I would want to hear, with a mix of stories that spans the wide spectrum of political and pop culture news.

I was excited to be contacted by an advertising exec who has a list of clients looking to advertise on the podcast.

!!!

Now, you know, ad execs only show interest when they see an audience they value.

Tip of the hat to all of you 😉

Ben Platt Pulls The Listener In With Poignant “Grow As We Go”

Tony Award winner Ben Platt (Dear Evan Hansen) releases “Grow As We Go” today, the third track from his upcoming debut solo album, Sing to Me Instead.
Ben Platt ‘Grow As We Go’ (screen capture)

Emmy/Grammy/Tony Award winner Ben Platt (Dear Evan Hansen) releases “Grow As We Go” today, the third track from his upcoming debut solo album, Sing to Me Instead.

The music video for the song completes a trilogy begun in his first two music videos, “Bad Habit” and “Ease My Mind,” which featured out actor Charlie Carver (Teen Wolf, The Boys in the Band) as Platt’s love interest.

Platt officially came out with the release of the second video telling PEOPLE, “If I was going to write about people I loved, I wasn’t going to pretend they weren’t men just because I hadn’t talked about that before.”

“I only wanted to take this leap if I was going to present every part of myself,” added the Pitch Perfect star.

Platt has previously shared that the album will chart the course of a romantic relationship from beginning to end, and represent an amalgamation of past loves.

The poignant, acoustic guitar-driven “Grow As We Go” reins in Platt’s signature power vocals to a calm, comforting promise of support. Instead of building to a big, dramatic climax, Platt does the opposite, pulling the listener in with an emotional sotto voce release.

You don’t ever have to leave
If to change is what you need
You can change right next to me
When you’re high I’ll take the lows
You can ebb and I can flow
And we’ll take it slow
And grow as we go

The video, directed by Nick Lieberman, features gorgeous performances by dancers Rudy Abreu and Effie Tutko who live out the highs and lows of connection, often trying to resist their intense attraction only to be drawn back together.

As a whole, the video delivers on an undeniably emotional, affecting level.

Sing to Me Instead drops March 29 with a 12-city tour beginning in Chicago May 3, and winding up in Los Angeles May 24.

Follow Platt on Instagram here for more info.

Watch the music video for “Grow As We Go” below.