In this week’s podcast: • Mayor Pete Buttigieg had a historic night at the Iowa Caucuses • Voters in Switzerland overwhelmingly approved protections for LGBTQ people • Virginia becomes the first state in the South to approve statewide LGBTQ protections • A beloved morning talk show host in the UK came out as gay • A star of the Netflix docuseries ‘Cheer’ is getting ready to climb to the top of the human pyramid All that and more in this episode of The Randy Report Hit the play button below to listen, and if you enjoy catching up on LGBTQ news in a quick podcast, please share this with your friends 🙂
Out Music: VINCINT ‘Save Myself’
In advance of his upcoming EP, The Feeling, rising pop recording artist VINCINT drops his new single, “Save Myself.”
VINCINT says the new song “is about letting the people in your life who are always ‘there for you’ and constantly giving you unwanted advice or tips on how to live YOUR life ‘better,’ know that you just need them to shut up and let you figure it out on your own!”
“You know what’s right for you; you just gotta block out the voices to hear yourself,” adds the artist. “While you love them and appreciate all that they do, this is a ‘shut up, stand there and watch me ‘Save Myself’ anthem.”
In January, VINCINT told Paper Magazine the new EP represents “my take on love.” “The joy, pain, happiness, and disappointments… the incredible highs and unforeseeable lows and the self-discovery,” he continued. “These emotions threaded together sum up the way I describe it all. For me, it’s just The Feeling.”
In September, VINCINT premiered his ‘Flashdance’ inspired music video from the project, “Someday.” Paper Magazine called the track “impressive” and “addictive.” I agree.
“VINCINT just might be our generation’s greatest vocalist.” – PAPER Magazine “No longer a star is born – VINCINT is a legend in the making.” – Billboard
The new single, “Save Myself,” is available now on all digital download sites, and the EP The Feeling drops Valentine’s Day.
Out Music: Gia Woods ‘HUNGRY’

The Randy Report: “HUNGRY” is definitely edgy, violent and a ’take-no-prisoners’ kind of visual story. What was the inspiration for the song and/or video? Gia Woods: People have a lot of opinions about every aspect of your career, especially in the entertainment industry! Obviously, there are some people who I want feedback from, but a lot of it is unsolicited and unnecessary. I was frustrated about it all one day, so I wrote this as sort of an “eff you” to unwanted opinions. TRR: Is there a reaction or take-away you have in mind for listeners of “HUNGRY?” GW: I just hope it inspires people to trust their intuition and to not be afraid to take risks because there’s no such thing as “living” if you’re always fearful or dependent on opinions — you’re better off when you trust your gut. And that’s with everything.
TRR: Lil Nas X just won a couple of Grammy Awards after having the longest run ever on the top of the Billboard chart. Are things getting better for LGBTQ music artists? What’s your experience? GW: I think using one artist as the token for an entire community is kind of strange. Overall, we’re seeing more LGBTQ representation in music, but I don’t think Lil Nas X’s sexuality has anything to do with his accomplishments, nor should it. Talent should always come first, but I am very lucky to live in a time where the industry isn’t forcing artists to stay in the closet. TRR: What do you do outside of music that contributes to your creativity? GW: Every song of mine comes from personal experiences and that comes from spending time with my friends and family, so when I’m not doing music I’m spending time with them. And then I always somehow have something I want to write about. TRR: What’s the best advice you’ve ever been given? GW: Don’t be afraid to be uncomfortable.
Click here for my previous coverage of the formidable Ms. Gia Woods, and make sure you check out the music video for “HUNGRY” below. You can follow Woods on Facebook here, Instagram here and Twitter here.
Lil Nas X And Other LGBTQ Artists Score At The 62nd Grammy Awards

WATCH: Grammy Award Winner @LilNasX performs a new mix of his @RIAA Diamond certified, record breaking, history making song, #OldTownRoad. #Grammys pic.twitter.com/TkUpHibXUV
— Opinionated Me (@opinion8dmecom) January 27, 2020
the vocals, the feelings. queen. #GRAMMYs #DemiLovato pic.twitter.com/r7G0Wu8ou3
— Jerry 🦊 (@jerry_bxl) January 27, 2020
WATCH: @ArianaGrande gives you a taste of her Grammy nominated album, Thank U, Next! #Grammys pic.twitter.com/MHkFIriQlD
— Opinionated Me (@opinion8dmecom) January 27, 2020
Get on my nerves, and the curtain closes! 😂 Living for my lewk styled by @sammyratelle with a custom design by @scottstudenberg of @bajaeast and featuring a custom hat by @sokolmillinery & mechanically engineered by @SM00TH_TECH. pic.twitter.com/GsCY09aNzc
— Billy Porter (@theebillyporter) January 27, 2020
Lil Nas X is next level @Versace 💓 #GRAMMYs pic.twitter.com/rIkzLBXN89
— HELLO! Canada (@HelloCanada) January 26, 2020
Lil Nas X Wins Grammy Award For ‘Best Music Video’

Lil Nas could be a six-time Grammy winner by the end of the night, as he’s one of this year’s most-nominated artists with six nods. “Old Town Road” is also up for record of the year and best pop duo/group performance, “Panini” is up for best rap/sung performance, 7 is up for album of the year, and Lil Nas X is up for best new artist.
didn’t mean any disrespect to kobe with that announcement. the news made me sad too! sending love to those grieving.
— nope (@LilNasX) January 26, 2020
Out Music: RuPaul “You’re A Winner, Baby”
Not only did RuPaul see his new Netflix series AJ and the Queen premiere this past Friday, but the same day he also dropped his latest studio album titled, You’re A Winner, Baby. But wait – there’s more! At the end of January, Ru’s uber-popular TV series, RuPaul’s Drag Race will become a live stage show on the Las Vegas Strip at the Flamingo Las Vegas. It’s good to be ‘queen,’ henny.
News Round-Up: January 10, 2020

Gavin Creel Turns ‘Something Wonderful’ Into Pulsing Pop Goodness

Creel made his Broadway debut in 2002 as “Jimmy Smith” in the hit musical Thoroughly Modern Millie. That was followed by acclaimed performances in Hair, The Book of Mormon, She Loves Me, Waitress and finally his Tony-winning turn as “Cornelius Hackl” in the Bette Midler revival of Hello, Dolly! Later this month he heads to London to reprise his role as the hunky Dr. Pomatter in Waitress with pop star Sara Bareilles. This track is the latest from the R&H Goes Pop! series which puts contemporary twists on timeless classics from the Rodgers & Hammerstein catalogue. The series began with a rocking “Oh, What A Beautiful Mornin” by Jeremy Jordan (Supergirl, SMASH), and has since featured a same-sex take on “We Kiss In A Shadow” by Jelani Alladin (Frozen) and Matt Doyle (The Book of Mormon).
Out Music: Pet Shop Boys “Monkey Business”
The Pet Shop Boys dropped their latest track, “Monkey Business,” from the forthcoming studio album Hotspot. The new collection from the pop music icons is available January 24.
PSB previously dropped two other tracks from the forthcoming LP, “Burning the Heather” and “Dreamland” featuring Years & Years.
Marty Thomas Likes ‘Slow Dancing With A Boy’

In a recent chat, Thomas shares the inspiration for the collection: The Randy Report: Slow Dancing With a Boy is described as exploring the memories of a young gay man coming of age and questioning “the possibility of having lived those memories honestly.” Can you talk a bit about that journey in relation to these songs? Marty Thomas: School dances in my hometown were kind of a big deal. Small town living can make you blow special events out of proportion and can create impossible expectations. It was also the 90s in small-town America and I definitely didn’t have the confidence or feel a sense of safe space to come out and live honestly in high school. Looking across a dance floor and seeing a boy I had such a crush on, but couldn’t let anyone see me talking to, made those moments kind of excruciating. As grateful as I am to the girls who accompanied me to my school dances, those moments would have been vastly different if I could have danced with someone I was organically attracted to. All of the songs on this album have a specific meaning or memory tied to a life moment where I felt unable to live truthfully. Taking them back to rearrange them and place them firmly in the light was like cheap therapy. TRR: Is there a favorite song on the new album? MT: I’m so proud of this project, and I love so many tracks from the album. One tune that stands out is a country two-step cover of Mariah Carey’s “Dreamlover.” It was a song that was HUGE when I was in high school. I grew up in a farm town in Missouri, and we had a school dance every year that was country themed in an old rock barn in town. It was definitely a dance that made me feel like a bit of an outsider and giving the song a two-step vibe definitely gave me a laugh. My producer Jamey Ray and my country singing friend Rachel Potter helped me bring this song to life. TRR: Was it hard to choose the songs on the album? MT: Oh yeah, there was a long list of possibilities for this record. I went back and forth with my producer to narrow it down. Though I’m thrilled with the final tracklist, NOT covering a Whitney Houston song from The Bodyguard soundtrack will probably be one of the great regrets of my gay life. TRR: What was your approach to finding your version of these songs? MT: I let the concept marinate for almost two years before I really started narrowing down the song list and creating the arrangements. Every time a jam would come on the radio that took me back to a nostalgic place, I would write it down and categorize it. Once I sat down with my producer, Jamey Ray to begin crafting the album, I really started picking and choosing the music that brought me back to specific, difficult emotional places. There is endless material that has inspired me as a performer, but this project really wasn’t about that. The songs on ‘Slow Dancing With A Boy’ had to be attached to specific memories of self-doubt and fear of fitting in. There were certain covers where the original version was incredibly important to honor, like “Remember Me This Way” by Jordan Hill from the Casper the Friendly Ghost soundtrack. It was the theme to my Junior prom and Jordan (who I also knew from my Star Search days) was cool enough to fly in and go to my country prom with me. Other songs like ‘Somewhere’ from the musical West Side Story and “As” by Stevie Wonder got a whole new approach to bring a renewed joy to the songs and contribute to the healing process. TRR: Do you approach recording projects differently than live performances? If so, how? MT: I definitely think about recording pretty theatrically. Studio work and stage work are very different skills and I’m always so excited about the opportunity to work in the studio. The concept of this particular project is a bit dramatic, I admit, but the process has been incredibly cathartic.
TRR: When not working on music, what fuels your creativity? MT: I’m a hairdresser. It started as a fun passion project and turned into a second full-time career. I have a private salon where I take clients regularly and I also work with wigs for Disney International. It’s a constantly evolving business and art form that’s always exposing me to new people and situations. I feel like my two careers effectively support each other. TRR: Is there any particular piece of professional advice you’ve gotten that really resonated with you? MT: When I was a kid, I was on a show called Star Search with Billy Porter (Emmy Award winner – Pose). We were both working on Broadway at the time and for years after, Billy acted as a mentor to me. I sang backup vocals on his record, ‘On The Corner Of Broadway And Soul” and while we working on it – I was auditioning for anything and everything that would see me. He sensed my frustration and gave me some advice that I’ll never forget. With experience, he shared that the industry might take a while to get hip to who I am and what I have to say. He encouraged me to not try and change myself to fit in, or even to book a job. He encouraged me to just do me, and wait for the world to be ready for it. He lives his own advice and it sure has paid off for him. TRR: What’s next on the horizon? MT: I’m doing a concert on December 14 with Broadway composer Jason Robert Brown at the venue Subculture, where he has an artist’s residency. Slow Dancing With A Boy is a prom/school dance-themed project, so I’m throwing myself a “second chance prom”! January 5, at the Green Room 42 in NYC I’m inviting friends and fans to get dolled up and come dance with me. I hired a party band, DJ and a prom photographer for an authentic prom do-over! I’ll sing from the album and then open up the floor to some good old fashioned Footloose-style celebrating. Check out Thomas’ take on “Crazy For You” below and look for the new album, Slow Dancing With a Boy on all digital download sites December 6. And while we’re here, let’s revisit that moment in the 1990s when Thomas won the top prize over Britney on Junior Star Search.