George Takei’s ALLEGIANCE To Premiere On Broadway This Fall

A musical based on the early life of Star Trek star (and everyone’s favorite gay uncle) George Takei will finally take a bow on Broadway in October 2015, after years of waiting for an appropriate theater to become available.

“Allegiance” is a multigenerational tale with two love stories that’s framed by a Japanese-American war veteran looking back on his family’s time in a Wyoming camp. Previews are set to begin on Oct. 6 at a Shubert Theatre still to be announced.

It will mark the first Asian-led cast of a musical on Broadway in more than a decade, since “Flower Drum Song.” David Henry Hwang’s play “Chinglish,” with a predominantly Asian cast, played 109 total performances in 2011-12.

“Allegiance” features music and lyrics by Jay Kuo — which blends Big Band sounds with Japanese folk melodies and brassy Broadway numbers — and a book by Marc Acito, Kuo and Thione. It is being directed by Stafford Arima, who directed “Carrie” and “Altar Boyz” off-Broadway and whose own father was interned in Canada during the war, a dark chapter in American history that not everyone knows.

“I’m always shocked by the number of people I consider to be well informed who, when I tell them about my childhood and growing up behind barbed-wire fences, they are aghast and shocked. They’d never heard of it,” Takei said.

The show had a sold-out premiere in 2012 at the Old Globe in San Diego, starring Takei, Lea Salonga and Telly Leung. So far, only Takei has signed on for the Broadway run but he said “we are working to recreate that.” The producers are Lorenzo Thione and Andrew Treagus.

I’m currently working in San Diego near the Old Globe, as I was two years ago when the show had just wowed audiences. Word of mouth on the show is very strong, and I’m thrilled to see this story brought to life for a wider audience. It’s a powerful journey for an audience. At a time when immigration and “immigrants” are in the forefront of the news, too many forget how terribly innocent Japanese-Americans were treated during WWII.

Here’s a highlight reel from the Old Globe production of Allegiance:

I have to add that I’ve worked with the director, Stafford Arima. Last summer, we collaborated on a production of A Chorus Line for Sacramento Music Circus. Like everything that Stafford touches, the hallmark of the show was it’s completely new approach. (Let’s face it, it had to be. It was A Chorus Line “in the round”). I can freely say that Stafford is universally admired and respected for his creativity and his balanced, confident, almost “zen-like” approach to his actors.

I also recently interviewed the intrepid George Takei for his appearance in the award-winning LGBT musical short film hopefulROMANTIC by Matt Zarley. George was as awesome, warm and wise in real life as he is on the interwebs.

I’m thrilled for all involved in Allegiance. Congrats to George Takei, Stafford Arima and all involved. I can’t wait to see what you give us.

Forward.

Working with director Stafford Arima at Sacramento Music Circus

Hiding my inner fanboy as I chat with Star Trek
legend and LGBT hero George Takei (photo: Michael Caprio)

My Favorite Thing Today: Jeremy Jordan Sings “It’s All Coming Back To Me”

Broadway’s Jeremy Jordan sings Celine Dion’s “It’s All Coming Back To Me”

On January 9th, Broadway’s biggest belters celebrated the best-selling Canadian music artist in history, Celine Dion, in an evening of epic power ballads, and classic pop tunes at the hot NYC cabaret spot, 54 Below.

The starry cast included Jeremy Jordan (Newsies, “Smash”) who brought his considerable vocal prowess to the enormous pop aria, “It’s All Coming Back To Me.”

Not only does Jordan’s voice soar through the piece, he brings the right balance of humor to moments letting you know he doesn’t take himself too seriously. WE, however, take Jeremy’s uber-talent way serious.

Watch as he delivers passionate vocals and pops of comedic twinkle below. This is my favorite thing today 🙂

The writer of the song, Jim Steinman, had this to say: “As I wrote and produced the song for Celine – I’m very impressed and pleased with JEREMY’S ability to scale the Olympian operatic heights and imbue it with humor, seamlessly! All in all, BRILLIANT!! And thank you.”

By the way, Jeremy co-stars with Into The Woods star Anna Kendrick in the upcoming film adaptation of the cult musical favorite The Last 5 Years. In theaters and VOD February 13.

“Three minutes left…”

Key change!

“There were moments of gold, and there were flashes of light”

“If I forgive you all this…”

Equal opportunity crooner – “When you see me like this…”

Gwen Verdon Would Have Been 88 today

Although she died at the age of 75, 4-time Tony Award winner would have been 88 today.

I wanted to remember her today with one of my favorite, albeit not one of her most famous, dances.

This clip from the Ed Sullivan Show features dances called “Cool Hand Luke” & “Tijuana Brass” choreographed for her by, of course, Bob Fosse. But it’s unusual in that it showcases her softer, more sensitive side of dance.

From the Fosse Bio by Sam Wasson, page 237:

In Oct ’68, with the bulk of editing (Sweet Charity) behind him, Fosse took a moment to repay Gwen the only way he knew how. He choreographed two pieces for her (Verdon’s) appearance on The Bob Hope Show.

“Cool Hand Luke” and “Tijuana Brass.”  Each betrayed the softness he tried so hard to conceal. “Cool Hand Luke,” especially – Fosse’s most warm-hearted creation, a matador’s lullaby devoid of ironic comment.

Accompanied by Lee Roy Reams (Stage right in opening) and Buddy Vest, Gwen strutted and snapped through “Luke” with elegant machismo, receiving in wide welcoming arms Fosse’s plaintive offering to her sensuality. “Every moment of creating this dance,” Reams said, “was a pleasure and a joy.”

In the mid-80s I had a chance meeting with Verdon at a bank of elevators at what used to be the Minskoff Studios. I’d was – predictably – tongue tied. Alone in that space I stammered and saying “OMG, you’re you!” She smiled warmly, nodded and said “Yes.” I pulled out my resume (having come from an audition minutes earlier, it was the only piece of paper I had) and asked for her autograph. And of course, she signed. Charming and classy. And sooooo nice.

In my career as a dancer and choreographer, I’ve had great joy in exploring the Verdon/Fosse legacy. From CHICAGO to Sweet Charity, the depth and unique gifts she brought to her performances is almost unimaginable.

A great, great star.

Sting Set To Join The Cast Of His Struggling Broadway Show “The Last Ship”

Having written the lyrics and music for the struggling Broadway show The Last Ship, Sting is now set to join the cast of his flailing $15 million Broadway musical.

But can his star power save the show? His last Broadway appearance was in the 1989  The Three Penny Opera.

The veteran rock star is set to star in the show from Dec. 9 until Jan. 10, replacing actor Jimmy Nail, who says he is stepping aside “happily” for the good of the production.

Since its premiere the show has been losing $75,000 a week.

Click here for ticket info.

John Cameron Mitchell To Return To “Hedwig and the Angry Inch”

Beginning January 21, 2015, John Cameron Mitchell will return to “Hedwig and the Angy Inch” on Broadway for eight weeks.

Mitchell created the role back in the 1990s off-Broadway at the Jane Street Theatre. The current production on Broadway won Tony Awards for Neil Patrick Harris for “Best Actor in a Musical” and Best Revival.

From the New York Times:

“I’m having fun going through the old show in my mind and thinking about throwing in more ad-libs and rock ’n’ roll like we did downtown,” Mr. Mitchell said in a telephone interview, recalling the original runs of “Hedwig” at the Westbeth Theater and Jane Street Theater, where he sometimes performed laying on stage when he was tired or while he was in the bathroom offstage.

“I think it will be more frayed,” Mr. Mitchell said of the way his performance might differ from Neil Patrick Harris’s, who originated the role on Broadway last spring and earned a Tony Award for best actor. “We’ve all changed in the last 25 years. I’ve lost friends who were originally involved with the show. I originally wrote the role to release anger and grief – I’m generally a pretty quiet person – and I haven’t experienced a lot of emotion in that same way in a while. I think I’ll even surprise myself as people come to mind while I’m performing.”

Since Harris’ departure Andrew Rannells and Michael C. Hall have performed the lead role in the revival.

Broadway’s “Side Show” Shares Opening Night Act One Finale With Time Square

How cool is this?

On the evening of November 17th, theater fans were treated to a live viewing of the Act One finale of the Opening Night of Side Show in Times Square.

Well, almost.

It seems that since the opening night performance went up a bit late, Time Square fans got to see a back-up video of “Who Will Love Me As I Am” even before the opening night attendees enjoyed the song. From Playbill:

According to a representative for the production, a specific slot time was permitted for Clear Channel to broadcast the finale with sound in Times Square. As is typical with many Broadway opening nights, Side Show got off to a late start. The performance, which was to begin at 7 PM, didn’t raise its curtain until about 7:25 PM, meaning that the act one finale “Who Will Love Me As I Am?” would not occur until after 8 PM. Technically, the song would not make its 7:45 PM live call.

Days before opening, a back-up tape of the rousing power ballad had been prepared by the show’s producers in the event of such circumstances or other technical snares. That previously-taped performance is what ultimately aired at 7:45 PM in Times Square.

“There was no mechanism in place with which to deliver fans the message that the performance was pre-recorded, nor did the production deem it necessary as it still delivered an exciting moment with footage of a live performance,” a spokesman for the production said in a statement.

The revival of Side Show enjoyed excellent reviews. Read the notices here.

And you can watch a video of the “live” broadcast in Times Square below.

Music Video: Idina Menzel sings “Always Starting Over” from IF/THEN

It’s been a great year for Tony Award-winner Idina Menzel: starring on Broadway again in this year’s IF/THEN; garnering a Tony Award nomination for that performance; releasing a fab holiday album; and then there’s the small matter of the Disney blockbuster Frozen for which she supplied vocals for the most famous movie song of the year “Let It Go.”

One more thing to add to the list – a new video of her performance of the eleven o’clock number from IF/THEN, “Always Starting Over.”

Filmed both onstage at the Richard Rodgers Theatre and in the recording studio, we get the best of both worlds here.

The show is still running on Broadway, and the cast recording is available here.

Watch the luminous Ms. Menzel deliver her fab performance below:

From the Broadway Musical SIDE SHOW – “Who Will Love Me As I Am”

With the Broadway revival of Side Show opening on Monday night, I had to revisit the gorgeous and moving material via the original stars Alice Ripley and Emily Skinner, who were “co-nominated” for a Tony Award for their fantastic performances as “Daisy and Violet Hilton.”

I saw this production in the late 90s and was blown away. Enjoy 🙂