Happy Birthday Thommie Walsh

I originally posted this on March 15, 2011.  This is an important post for me, which I’ve now shared for the past four years.  And I plan to post it every year in dear Thommie’s memory.

I think of Thommie Walsh so often I can’t tell you. Today would have been Thommie’s 65th birthday.

Love and miss you madly, Thommie.

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Thommie was a 2-time Tony Award winner, an original cast member of the ground-breaking A Chorus Line, and my dear wonderful friend.

Thommie came into my life in so many ways. As a young actor and dancer, I was forever changed by his performance in A Chorus Line. The boy who grew up near Buffalo but “couldn’t remember the name of the town” – he’d blocked it out. His work on Broadway was the stuff wide-eyed young actors or dancers like me only dreamed about. He danced in several Broadway shows – including A Chorus Line – and then graduated to director/choreographer. As Tommy Tune’s partner, he won two Tony Awards: for “A Day in Hollywood / A Night in the Ukraine” and “My One And Only.”

Many, many other accomplishments and awards came Thommie’s way. Too numerous to mention.

But my favorite memory of Thommie was as my friend. In 2002, Donna McKechnie was asked to perform her developing one woman show “Inside The Music” in Los Angeles. Thommie was her director and choreographer. The theater was a small theater on a budget, so Donna asked if Thommie could stay with me. Every single day was a holiday with Thommie in the house. Having consulted on some of Donna’s earlier shows, I accompanied Thommie to rehearsals and did what I could to help. But just being around Thommie made life better and funnier and more wonderful. We became very fast friends.

He was constantly supportive of my work as a director and/or choreographer. A few years later, when I was choreographing a show off-Broadway he insisted he come to see the show. Then he made a point of meeting me for dinner at Joe Allens (famous Broadway restaurant) to talk about it. I’ll never forget the look in his eyes when he sat down, smiled, and simply said to me “you did good – I loved it.”

His sense of humor, his directness in any situation, everything about Thommie worked for me. I honestly loved this man. My wonderful friend.

In late 2006, however, he stopped returning phone calls. I worried something was wrong.

I reached out to everyone I could. At one point – on Christmas eve – I stood outside a holiday dinner in the cold on the phone with Cynthia Onrubia who had assisted him on some shows. The news was not good. I was distraught. I practically begged this woman who barely understood who I was to keep me informed as his health deteriorated.

News was slow to come over the next several months.

Then, on a hot summer night, June 16, 2007, he passed away. This boy-wonder of Broadway was gone.

I was riding in a car in Las Vegas when a friend called me and said “did you hear about Thommie?”

I held my breath in silence as long as I could. I didn’t want to know. Perhaps if I stopped breathing it wouldn’t be true.  Several heart-beats went by. Please let it be anything other than what I felt I already knew in my gut. I’m dramatic – surely I’m wrong.

I wasn’t. My friend on the other end of the call was sad and silent. But the news had come.

Gone.

But never forgotten. I remember Thommie’s birthday every year. March 15th – the Ides of March. From Julius Caesar – “beware the Ides of March.” Beware indeed. He used his own birthday onstage in A Chorus Line as “Bobby” or “Robert Charles Joseph Henry Mills, III” as his introduction went. Isn’t that funny?

I was honored to play his role in A Chorus Line several times and always thought of Thommie when I did. Near the end of his character’s monologue, he had a line that said “I just wanted to see if anyone would notice me.”

Boy – did the world notice Thommie.

I miss Thommie every time I think of him, which is often. His laugh, his humor, his talent, his friendship… all of it without boundaries.

I’d love to regale you with some stories I lived with him, but they may not be suitable for this post. If you knew him, you know what I mean. If you don’t, then please know I hope someday you know someone like him so you will.

Except there will never be another Thommie Walsh. Ever. And my eyes tear up with joy and sadness every time I know that.

Thommie – how very lucky am I to have known you. I miss you still. I always will.

Thommie once advised me if you were going to steal, steal from the best. So, to steal a phrase from Thommie – “love you madly – always.”

Audra McDonald Will Return To Broadway In “Shuffle Along”

Next spring, six-time Tony Award-winner Audra McDonald will return to Broadway to star in Shuffle Along, Or, The Making of the Musical Sensation of 1921 and All That Followed.

Produced by Scott Rudin, the piece tells the backstory of Shuffle Along, the 1921 musical comedy by Flournoy Miller and Aubrey Lyles with music and lyrics by Eubie Blake and Noble Sissle.

Arriving on Broadway seemingly doomed to fail, the work bucked the odds to become a runaway success that helped to launch the careers of Lottie Gee — who will be portrayed on Broadway by Audra, Josephine Baker, and Paul Robeson, among others.

Opening on April 21, 2016 at the Music Box Theater, Shuffle Along is a collaboration between Audra, George C. Wolfe, and Savion Glover, with music supervision, arrangements, and orchestrations by Daryl Waters.

Audra won her sixth Tony Award for her portrayal of Billie Holiday in Lady Day at Emerson’s Bar & Grill last season. The performance has been filmed by HBO with an air date yet to be announced.

(via Audra McDonald official website)

Concert Version Of NBC’s SMASH Musical “Bombshell” Raises $75K In Two Hours

UPDATE: Only an hour after I posted this, the Kickstarter campaign passed the $125,000 mark.

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In just a few hours, a Kickstarter campaign to help fund a concert of “Bombshell” – the fictional musical from NBC’s SMASH – raised over $75,000 with over 540 donors.

From the Kickstarter page:

We are raising money to put on the show of your dreams: A once-in-a-lifetime concert presentation of BOMBSHELL to benefit The Actors Fund.

The cast is donating their time, as is the whole creative team.* But we do need to raise $50,000 to cover the costs of the production and to assure that 100% of the proceeds will go to The Actors Fund to help people in the creative community who are in need, crisis or transition.

If you love this show – and you know you do – please consider a contribution large or small to help bring this evening to life. We have a great list of rewards at different tax-deductible donation levels to say THANK YOU for your support.

On Monday, June 8, 2015, at the Minskoff Theater, in New York City, we will present: Christian Borle, Will Chase, Megan Hilty, Katherine McPhee and Debra Messing.

Completing the cast will be a starry collection of Broadway favorites. BOMBSHELL features the Emmy nominated songs “Let Me Be Your Star” and “Hang the Moon.” This is a night not be missed.

Music by Marc Shaiman. Lyrics by Marc Shaiman and Scott Wittman.

BOMBSHELL will be co-directed by Scott Wittman and Josh Bergasse with Musical Numbers Choreographed by Josh Bergasse.

I loved much of SMASH during it’s two seasons on the air. And by far the best parts of the show were the musical numbers skillfully staged by Josh Bergasse and company.

I’m thrilled this concert is happening. If you’re in NYC on June 8th, this will be the hardest ticket in town to get. Guaranteed.

Sunday Sideshow: Cheyenne Jackson & Jeremy Jordan “Who Will Love Me As I Am?”

OMG – I can’t tell you how happy this clip makes me.

I’ve been a fan of both Cheyenne Jackson and Jeremy Jordan for some time now, but between their fab voices and the humor here, this is all kinds of perfect.

If after this you’d like to listen to the original version with Emily Skinner and Alice Ripley, here’s a handy-dandy link right here.

Seth Rudetsky Deconstructs “At The Ballet”

Seth Rudetsky “deconstructs” A Chorus Line

This just kills me.

As many readers of The Randy Report know, I was an actor and dancer on Broadway for many years.

Along that journey, I got to work with the fab Seth Rudetsky on a couple of projects – most notably the off-Broadway hit Pageant.

Seth has this wonderful series of “deconstructing” recordings of Broadway show recordings – and this one is perfection.

In this video, Seth “deconstructs” the original Broadway cast recording of A Chorus Line‘s “At The Ballet.” To perfection.

I’m especially impressed that Seth includes in his analysis that the story of “Maggie” was actually based on Tony Award-winner Donna McKechnie’s life story.

I’ve directed A Chorus Line several times and the show is near and dear to my heart. This song, though, is usually where someone in rehearsals comes to me and says “Randy, you’ve got to stop crying.”

I don’t know why but the story of “At The Ballet” resonates deeply for me.

Watch Seth do his brilliant thing below:

Donna McKechnie Joins Broadway Cast of THE VISIT

Tony Award-winner Donna McKechnie has been announced as standby for another legend, Chita Rivera, in the upcoming Broadway musical, The Visit.

“Who else could go on for a Broadway legend like Ms. Rivera but another Broadway legend?” said producer Tom Kirdahy in a statement. “The tradition of an actor standing by, should the star not be able to perform, though unlikely in Ms. Rivera’s case, has been turned on its ear by this news. We are ecstatic that Donna is joining our company.”

She will stand by for the 82-year-old Rivera, who plays Claire Zachanassian, a wealthy courtesan who returns to the small village where she grew up, in order to destroy the man who robbed her of her virtue when she was a girl.

Based on the 1958 drama of the same title by Swiss author Friedrich Dürrenmatt, The Visit musical has a score by John Kander and the late Fred Ebb, and a book by Terrence McNally. Choreography for the two legendary dancers will be supplied by Graciela Daniele.

How thrilled I am that these two Broadway icons become part of this new musical for Broadway. I had the opportunity to work with both for long periods of time. My first national touring company of A Chorus Line starred Donna; and early in my CHICAGO the Musical journey I worked with Chita when she was playing “Roxie Hart” in the Las Vegas leg of the national tour.

Love them both. As does everyone.

It’s not well known, but back in the 1990s the producers of the musical The Goodbye Girl (starring Martin Short and Bernadette Peters) were in talks with Donna to standby for Bernadette. Unfortunately the show closed before the deal was done, but the same logic was in play there: who better to go on for a Broadway legend than another Broadway legend?

With Chita Rivera backstage at CHICAGO the Musical

Backstage at an all-star benefit where I helped choreograph a number for Donna McKechnie

NYC: Live Onstage – An Interview With Lee Roy Reams

Do not miss your chance to see Broadway’s Lee Roy Reams live onstage to benefit The Spiral Theatre Studio on February 25th.

The evening with Lee Roy will begin with a Wine and Cheese mixer at 7:00 PM (for VIP Patrons), to be followed by an in-depth interview moderated by Hello, Dolly! historian Richard Skipper at 8 PM promptly.

Lee Roy has appeared on Broadway in music theater blockbusters Sweet Charity, Applause, Hello, Dolly!, La Cage Aux Folles, Beauty and the Beast and The Producers. He was nominated for both the Tony and Drama Desk Awards as “Best Featured Actor in a Musical” for his performance in the original production of 42nd Street in 1980.

Lee Roy has worked with practically every major star, director or choreographer who’s appeared on the Great White Way including Tony Award winners Gwen Verdon, Lauren Bacall, Carol Channing, Gower Champion, Ron Fields, Bob Fosse, Susan Stroman, Donna McKechnie, and tons more. Expect many, many stories from on and off-stage.

I’ve known and worked with Lee Roy since the early 1990s and NO ONE tells stories about show business like Lee Roy. A true Broadway star.

Don’t miss this uber-talented insider’s view of Broadway from a true story-teller. Guaranteed to have a FAB time 🙂

Here’s the details:

The Spiral Theatre Studio at 300 West 43rd Street, 6th Floor New York, NY 10036 – 8PM

PRICE: $30 music charge/$40 VIP (Includes Cocktail reception with Lee Roy prior to the interview)
RESERVATIONS: (845)365-0720

Jeremy Jordan Sings “Moving Too Fast” On Good Morning America

Jeremy Jordan sings “Moving Too Fast” from The Last Five Years on GMA

Randy Report fave Jeremy Jordan knocked it outta the park on Good Morning America today with a red-hot live performance of “Moving Too Fast” from his new film The Last Five Years, accompanied by Tony Award winning composer Jason Robert Brown.

Listen to that voice! And then there’s the “easy on the eyes” factor 🙂

I’ve posted previously about Jeremy here and here.

Darren Criss To Star In Broadway’s Hedwig And The Angry Inch

GLEE’s Darren Criss to star on Broadway in Hedwig and the Angry Inch

 GLEE star Darren Criss has stepped up to be the next actor to star in the Tony Award-winning Broadway production of Hedwig and the Angry Inch.

Beginning April 29 for a 12-week limited engagement at the Belasco Theatre, Criss will succeed Hedwig co-creator and original Off-Broadway star John Cameron Mitchell in the lead role of an East German transgender rocker.

Book writer John Cameron Mitchell said, “I’ve got a grin plastered on my face that Darren is joining the brotherhood of Hedwigs. I LOVED him in How to Succeed. His stage presence is electrifying, his rock and roll credentials and comic timing impeccable and I’m thrilled to be working with him to create a brand-new Hedwig!”

This is Criss’ second run on the Great White Way.  In 2012 Criss took over the lead in the Broadway revival of How to Succeed in Business Without Really Trying for three sold-out weeks, which brought in over $4 million at the box office.