Broadway’s Sutton Foster Returns To Series TV Tonight: “Younger”

Two-time Tony Award winner Sutton Foster returns to TV tonight with a new dramedy series ‘Younger,’ where she plays a 40-year-old woman pretending to be 26.

Series description:

Trying to start a new career gets more difficult as you age, which suddenly single-mom Liza realizes when she tries to re-enter the working world at 40.

After a young tattoo artist convinces her she looks younger, Liza decides to do something about it. Her solution: Try to pass herself off as 26, courtesy of a makeover by her best friend, Maggie.

The newfound confidence helps get her a job assisting temperamental Diana.

Teaming with 20-something co-worker Kelsey, Liza hopes to make it a dream career — while no one discovers her secret.

Always great to see Broadway artists get a successful ride to television fame. Love Sutton’s talent, so I hope this lands for her.

Premieres tonight at 10 p.m. EDT with two back-to-back episodes.

The Artist’s Challenge – Day Three

Day Three of the Artist’s Challenge (For 5 days, 1 post each day, 1pic or several pics or video of your artistic journey so far. Each day nominate 2 people to join).

I had auditioned for the 2001 revival of Stephen Sondheim’s FOLLIES (choreographed by Kathleen Marshall), but after a few cuts, it was clear it wasn’t my day. It happens. Not meant to be, right?

A few months later, I was working at Walnut Street Theatre dance captaining A Chorus Line. The Friday before we were to open, another Kathleen Marshall show on Bway – SEUSSICAL – offered me a contract to replace Darren Lee who was leaving. I knew the show wasn’t doing great at the box office, so I asked how long the powers that be thought the show would run. The answer – “we wouldn’t be hiring you if we didn’t know the show was going to run.”

So for the first time in my career, I gave notice at Walnut Street. Five days later, the closing notice went up at SEUSSICAL. My replacement had been hired already at Walnut Street and so I headed back to NYC unemployed and despondent.

A week after getting back to NYC, I received a call from folks in casting at the Roundabout Theatre Company. Out of the blue. One of the guys in FOLLIES had given his notice and Kathleen Marshall had told them (knowing I got the short end over at SEUSSICAL) that if the costumes fit, the job was mine. I was two blocks from the Belasco Theater. I RAN straight there. And the costumes fit. Squeeee!!!

And so, I ended up in a beautiful, magnificent show with a cast that was equally special. And they took me in as if I’d been there all along. My run was only 2 months with the show, but the experience and the cast have stayed close to my heart.

We closed on my birthday which I shared with the fabulous (and Tony Award-nominated) Polly Bergen. Her performance of “I’m Still Here” KILLED. My work in Act One was done by the time her number came, and I would work through the basement and stand in the back of the house several times each week to watch her powerhouse performance.

So, there you go. I was wrong. FOLLIES was meant to be. I just took a while to get there.

My FOLLIES family gathers again this week to honor dear Polly, who we lost last year. I love this cast. They always feel like family to me.

No pics of me in the show since I replaced. But you have to watch Polly knock it out of the park with her number below.

Closing night of FOLLIES on Broadway with Polly Bergen

The Artist’s Challenge – Day Two

Day Two of the Artists Challenge – (For 5 days, 1 post each day, 1pic or several pics or video of your artistic journey so far. Each day nominate 2 people to join).

I have to include my first Broadway show – HELLO, DOLLY! with the incredible Carol Channing. I joke with folks that practically every show I ever went after I never got. And then the incredible blessing that happened were things I never dreamed of. DOLLY was one of those.

The show had been cast for months, but a week before rehearsals were to start one male dancer got a Broadway show (DOLLY was set to tour for a year before coming into NYC). I went to the audition – something like 120 guys were there. One spot available. They taught one combination and cut to 30. I was kept. We did another combination, they cut to 15. I was kept again. It was here that I heard they needed someone 6 foot something because they’d started costumes and the guy was that tall. Clearly – I am not. I went in to sing thinking “I’m so not getting this” so I threw caution to the wind and just sang. I went home and considered how I was going to have to wait tables again for the first time in four years. The call came within an hour.

Thank you Lee Roy Reams for the amazing gift that is DOLLY. It was a wonderful family. In 22 months no one left the show. We all loved what we were doing.

I ended up handling choreography duties for the post-Bway tour and have done something like 9 productions since. Oh – and I should mention that DOLLY (like a good matchmaker) introduced me to my husband, Michael Caprio. We’ve been together over 20 years. Can you ask more of a Broadway debut?

I’m second from the left in the Waiters Gallop pic below – please note the pulled up feet 🙂

Artist’s Challenge – Day One

Me as “the magical Mr. Mistoffelees” in CATS in 1986

Over on Facebook, several of my theatre friends are taking part in The Artist’s Challenge.

For 5 days, 1 post each day, 1 pic or several pics or video of your artistic journey so far. Each day nominate 2 people to join.

I was nominated by my friend Arminae Reames, who I’ve known for years since NYC acting days. So, I thought I’d also share my posts here.

I have to start with my first big job – “Mistoffelees” in the national touring company of CATS – 1986!

What a rush to be in an original cast of such a hot show – with an amazing cast. We were the first to share the show with Dallas, Atlanta, St. Louis, Miami, Houston, Louisville, Memphis,… so many citiies. Can you imagine? It was the WICKED of it’s time 🙂

I couldn’t have been more blessed. What a head-spinning experience. Everyone should get to live this kind of roller-coaster.

My PR guru husband, Michael Caprio, tracked down this original press pic. #luckyinlife‬

Broadway: Doctor Zhivago Begins Performances This Week

The Broadway stage adaptation of Doctor Zhivago begins previews this week at the Broadway Theater.

The musical is directed by two-time Tony Award winner Des McAnuff (Jersey Boys), with a book by Academy Award nominee Michael Weller (Ragtime), music by two-time Grammy Award winner and Tony Award nominee Lucy Simon(The Secret Garden), lyrics by Tony Award nominee Michael Korie (Grey Gardens) and Emmy Award nominee Amy Powers (Ella Enchanted), and choreography by Tony Award nominee Kelly Devine (Rocky).

Based on the highly acclaimed movie of the same name, Doctor Zhivago is an epic romance, revolving around the search for love during the final days of Czarist Russia, the First World War and the chaos of the Russian revolution.

Previews begin March 27th.

“Lara’s Theme” (or “Somewhere My Love”) from the acclaimed film was my parent’s “song.”

Happy Birthday Thommie Walsh

I originally posted this on March 15, 2011.  This is an important post for me, which I’ve now shared for the past four years.  And I plan to post it every year in dear Thommie’s memory.

I think of Thommie Walsh so often I can’t tell you. Today would have been Thommie’s 65th birthday.

Love and miss you madly, Thommie.

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Thommie was a 2-time Tony Award winner, an original cast member of the ground-breaking A Chorus Line, and my dear wonderful friend.

Thommie came into my life in so many ways. As a young actor and dancer, I was forever changed by his performance in A Chorus Line. The boy who grew up near Buffalo but “couldn’t remember the name of the town” – he’d blocked it out. His work on Broadway was the stuff wide-eyed young actors or dancers like me only dreamed about. He danced in several Broadway shows – including A Chorus Line – and then graduated to director/choreographer. As Tommy Tune’s partner, he won two Tony Awards: for “A Day in Hollywood / A Night in the Ukraine” and “My One And Only.”

Many, many other accomplishments and awards came Thommie’s way. Too numerous to mention.

But my favorite memory of Thommie was as my friend. In 2002, Donna McKechnie was asked to perform her developing one woman show “Inside The Music” in Los Angeles. Thommie was her director and choreographer. The theater was a small theater on a budget, so Donna asked if Thommie could stay with me. Every single day was a holiday with Thommie in the house. Having consulted on some of Donna’s earlier shows, I accompanied Thommie to rehearsals and did what I could to help. But just being around Thommie made life better and funnier and more wonderful. We became very fast friends.

He was constantly supportive of my work as a director and/or choreographer. A few years later, when I was choreographing a show off-Broadway he insisted he come to see the show. Then he made a point of meeting me for dinner at Joe Allens (famous Broadway restaurant) to talk about it. I’ll never forget the look in his eyes when he sat down, smiled, and simply said to me “you did good – I loved it.”

His sense of humor, his directness in any situation, everything about Thommie worked for me. I honestly loved this man. My wonderful friend.

In late 2006, however, he stopped returning phone calls. I worried something was wrong.

I reached out to everyone I could. At one point – on Christmas eve – I stood outside a holiday dinner in the cold on the phone with Cynthia Onrubia who had assisted him on some shows. The news was not good. I was distraught. I practically begged this woman who barely understood who I was to keep me informed as his health deteriorated.

News was slow to come over the next several months.

Then, on a hot summer night, June 16, 2007, he passed away. This boy-wonder of Broadway was gone.

I was riding in a car in Las Vegas when a friend called me and said “did you hear about Thommie?”

I held my breath in silence as long as I could. I didn’t want to know. Perhaps if I stopped breathing it wouldn’t be true.  Several heart-beats went by. Please let it be anything other than what I felt I already knew in my gut. I’m dramatic – surely I’m wrong.

I wasn’t. My friend on the other end of the call was sad and silent. But the news had come.

Gone.

But never forgotten. I remember Thommie’s birthday every year. March 15th – the Ides of March. From Julius Caesar – “beware the Ides of March.” Beware indeed. He used his own birthday onstage in A Chorus Line as “Bobby” or “Robert Charles Joseph Henry Mills, III” as his introduction went. Isn’t that funny?

I was honored to play his role in A Chorus Line several times and always thought of Thommie when I did. Near the end of his character’s monologue, he had a line that said “I just wanted to see if anyone would notice me.”

Boy – did the world notice Thommie.

I miss Thommie every time I think of him, which is often. His laugh, his humor, his talent, his friendship… all of it without boundaries.

I’d love to regale you with some stories I lived with him, but they may not be suitable for this post. If you knew him, you know what I mean. If you don’t, then please know I hope someday you know someone like him so you will.

Except there will never be another Thommie Walsh. Ever. And my eyes tear up with joy and sadness every time I know that.

Thommie – how very lucky am I to have known you. I miss you still. I always will.

Thommie once advised me if you were going to steal, steal from the best. So, to steal a phrase from Thommie – “love you madly – always.”

Audra McDonald Will Return To Broadway In “Shuffle Along”

Next spring, six-time Tony Award-winner Audra McDonald will return to Broadway to star in Shuffle Along, Or, The Making of the Musical Sensation of 1921 and All That Followed.

Produced by Scott Rudin, the piece tells the backstory of Shuffle Along, the 1921 musical comedy by Flournoy Miller and Aubrey Lyles with music and lyrics by Eubie Blake and Noble Sissle.

Arriving on Broadway seemingly doomed to fail, the work bucked the odds to become a runaway success that helped to launch the careers of Lottie Gee — who will be portrayed on Broadway by Audra, Josephine Baker, and Paul Robeson, among others.

Opening on April 21, 2016 at the Music Box Theater, Shuffle Along is a collaboration between Audra, George C. Wolfe, and Savion Glover, with music supervision, arrangements, and orchestrations by Daryl Waters.

Audra won her sixth Tony Award for her portrayal of Billie Holiday in Lady Day at Emerson’s Bar & Grill last season. The performance has been filmed by HBO with an air date yet to be announced.

(via Audra McDonald official website)

Concert Version Of NBC’s SMASH Musical “Bombshell” Raises $75K In Two Hours

UPDATE: Only an hour after I posted this, the Kickstarter campaign passed the $125,000 mark.

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In just a few hours, a Kickstarter campaign to help fund a concert of “Bombshell” – the fictional musical from NBC’s SMASH – raised over $75,000 with over 540 donors.

From the Kickstarter page:

We are raising money to put on the show of your dreams: A once-in-a-lifetime concert presentation of BOMBSHELL to benefit The Actors Fund.

The cast is donating their time, as is the whole creative team.* But we do need to raise $50,000 to cover the costs of the production and to assure that 100% of the proceeds will go to The Actors Fund to help people in the creative community who are in need, crisis or transition.

If you love this show – and you know you do – please consider a contribution large or small to help bring this evening to life. We have a great list of rewards at different tax-deductible donation levels to say THANK YOU for your support.

On Monday, June 8, 2015, at the Minskoff Theater, in New York City, we will present: Christian Borle, Will Chase, Megan Hilty, Katherine McPhee and Debra Messing.

Completing the cast will be a starry collection of Broadway favorites. BOMBSHELL features the Emmy nominated songs “Let Me Be Your Star” and “Hang the Moon.” This is a night not be missed.

Music by Marc Shaiman. Lyrics by Marc Shaiman and Scott Wittman.

BOMBSHELL will be co-directed by Scott Wittman and Josh Bergasse with Musical Numbers Choreographed by Josh Bergasse.

I loved much of SMASH during it’s two seasons on the air. And by far the best parts of the show were the musical numbers skillfully staged by Josh Bergasse and company.

I’m thrilled this concert is happening. If you’re in NYC on June 8th, this will be the hardest ticket in town to get. Guaranteed.

Sunday Sideshow: Cheyenne Jackson & Jeremy Jordan “Who Will Love Me As I Am?”

OMG – I can’t tell you how happy this clip makes me.

I’ve been a fan of both Cheyenne Jackson and Jeremy Jordan for some time now, but between their fab voices and the humor here, this is all kinds of perfect.

If after this you’d like to listen to the original version with Emily Skinner and Alice Ripley, here’s a handy-dandy link right here.