Randy Rainbow: ‘Don’t Tell Donald He’s Not Re-Elected Today!’

While Team Trump continues a facade of ‘fake news’ regarding the Donald’s many filed (and then dismissed) lawsuits in trying to re-litigate the 2020 election, Randy Rainbow lampoons White House Press Secretary Kayleigh McEnany and her constant assertions her boss “won” via Stephen Sondheim’s “Not Getting Married Today” from Company.

Rainbow’s rapid-fire satirical lyrics are seriously on point.

Enjoy 🙂

2020 Obie Awards: 3 Casts Of ‘Merrily We Roll Along’ Unite For “Our Time”

(screen capture)

This definitely qualifies for a #ThrowbackThursday post 🙂

On Tuesday night, the theater world celebrated the 65th annual Obie Awards honoring the best of Off and Off-Off-Broadway in a most virtually virtuous night on the internet!

Viewers were treated to a special moment as members of the 1994 York Theatre Company revival of Stephen Sondheim’s Merrily We Roll Along joined members of the original Broadway and 2019 Fiasco Theater revival casts for a special performance of “Our Time” in celebration of the 25th Anniversary of the York production’s Obie Award wins.

Based on the 1934 play of the same name by George S. Kaufman and Moss Hart, the show chronicles the story of three friends from early adulthood to midlife – but in reverse.

The musical is about optimism, idealism, holding friends accountable and the fallout when those ideas collide as we journey through life.

As the show begins, we meet the three anti-heroes at difficult crossroads in their lives and their friendships. With each proceeding scene, the story is rewound ultimately arriving at their younger selves – lacking any cynicism and simply bursting with optimism about what lay ahead for them. But by then, we’ve seen the future.

“How did you get to be here? What was the moment?”

Cast members from the original, 1994 revival and 2019 revival of ‘Merrily We Roll Along’

The original production opened (and closed) in 1981. I was a freshman musical theatre major at Syracuse University that fall, and even though we were hours away from New York City, the new show was very much on the minds of my fellow theater students as a recent graduate has scored the lead role of Franklin Shepard. A very, very big deal.

Unfortunately, in an almost ‘only in a musical’ twist, my fellow Syracuse alum was replaced before opening night.

Garnering brutal reviews, the show quickly closed. It was the first (and rare) critical failure among successful collaborations between Sondheim and Broadway director/producer Hal Prince (21 Tony Awards).

While the reverse storytelling reportedly confused the audience – even though each scene’s year was projected on a screen for the audience – the score has been almost universally lauded as “brilliant.”

It’s been revisited in several high profile productions over the years in the hope that the show might be ‘fixed.’ The show finally hit its stride with the original London production in 2001 winning 3 Laurence Olivier Awards including Best Musical. In 2014, the show would repeat that success at the Olivier Awards winning Best Revival of a Musical.

The song “Our Time” is what we would call the 11 o’clock number or emotional apex of the show.

Set on the roof of an apartment house in New York City in 1957, young Frank and Charley are staring at the nighttime sky waiting for a glimpse of the first-ever earth-orbiting satellite, Sputnik. During the scene, Mary, their neighbor, arrives to view the satellite and meets the boys for the first time.

Suddenly, Sputnik is there in the sky, and in that moment, for the young friends, anything seems possible.

Check out the moving virtual reunion of three casts of Merrily We Roll Along singing “Our Time.”

While the show didn’t survive its original 1981 incarnation, many of the young actors in that cast were – like the show’s subjects – just beginning.

Among them were future Broadway luminaries including future Tony Award winners Jason Alexander (Jerome Robbins’ Broadway) and Tonya Pinkins (Jelly’s Last Jam), as well as Tony Award nominee Liz Callaway (Baby, Miss Saigon, Cats), Giancarlo Esposito (Breaking Bad, Better Call Saul) and Jim Walton (42nd Street, Sweeny Todd).

In 2016, original cast member Lonny Price (Charley) directed the acclaimed documentary, Best Worst Thing That Ever Could Have Happened,  reuniting many of the 1981 cast members to reflect and remember the impact the show and its idealism had on the actors. I wrote about the film here.

‘Sondheim 90th Birthday Celebration’ Was A Musical Gift That Kept Giving

L-R Audra McDonald, Christine Baranski, Meryl Streep (screen capture)

It began with some tech problems, but when Broadway.com’s salute to legendary composer Stephen Sondheim – Take Me to the World: A Sondheim 90th Birthday Celebration – finally got underway it was truly a gift for musical theatre fans.

So many fantastic performances of Sondheim’s lengthy and rich catalog.

One of the highlights was easily Meryl Streep, Christine Baranski and Audra McDonald serving up a spectacular “The Ladies Who Lunch” from Company as a kind of  Zoom cocktail hour. Donning white robes and pouring generous drinks, the approach was not only hilarious but solved the problem of trying to live up to Elaine Stritch’s legendary performance of the song.

In case you missed it, I’ve cued up Christine, Meryl and Audra’s brilliant performance below, but you can view the entire 2+ hour livestream below.

Other highlights include:

• Melissa Errico’s “Children and Art” (Sunday in the Park with George) was the picture of understated perfection at the 41:04 mark

• Mandy Patinkin, standing outside alone amid an enormous, empty grassy field, shared a moving a cappella “Lesson #8” (Sunday in the Park with George) at the 54:21 mark

• Laura Benanti – “I Remember” (Evening Primrose) at 1:08:28 mark

• Chip Zien, the original “Baker” (Into the Woods) was heartbreaking as he reprised his song “No More” at 1:14:06

• The event’s host, Raúl Esparza, sang a beautiful take on the event’s title song, “Take Me to the World” (Evening Primrose) at 1:50:59

• Donna Murphy’s poignant, pensive rendition of “Send in the Clowns” (A Little Night Music) at the 1:53:55 mark

• Bernadette Peters closing out the event with a gorgeous, a cappella take on a song she didn’t sing in Into The Woods, “No One Is Alone” at 2:11:18

Bernadette Peters (screen capture)

In truth, there are tons of terrific performances – I’m sure I’ll have missed mentioning something I loved. If you click here, you’ll find the full show with a complete breakdown of shortcuts to each individual performance.

Stay with it to the end as there’s a much fun postscript to the shindig with the song “Broadway Baby” from Follies.

The event served as a fundraiser for ASTEP – Artists Striving to End Poverty. You can donate at this link.