Lee Roy Reams Breaks Ground Bending Gender In Hello, Dolly!

Lee Roy Reams stars as "Dolly Levi" in HELLO, DOLLY! at The Wick Theater
Lee Roy Reams as “Dolly Levi” at The Wick Theater

Regular readers of The Randy Report know I spend half my life as a freelance writer and blogger here at The Randy Report, and the the other half working in the theater as a director/choreographer.

The past two weeks I’ve been deep in rehearsals choreographing Hello, Dolly! at the Wick Theater in Boca Raton, Florida, with my Dolly! partner in crime and Broadway stalwart, Lee Roy Reams. This marks our 8th production of Dolly! together, but this one has a twist 🙂

Not only are we exploring this gorgeous Jerry Herman/Michael Stewart show once again, we’re digging into even deeper levels as Lee Roy becomes the first male actor in America to play the leading role.

In an era of marriage equality and LGBT rights becoming a regular part of the daily news cycle, what could be more appropriate? And to be clear – Lee Roy is very specific in his portrayal. He is not playing a drag queen, he’s playing “Dolly Levi” straight – no winking at the audience.

Photo: Amy Pasquantonio

“Danny La Rue did it years ago in England,” Reams says. “But I never saw that show. In England they are accustomed to men playing women’s roles and vice versa.”

The production and casting come complete with the blessing of Dolly! composer/lyricist Jerry Herman, who won Tony Awards for not only Hello, Dolly! but Mame and La Cage Aux Folles.

“I love this show,” Reams says. “It was my second show with Carol Channing. When I was in ‘Lorelei’ with Carol we became close. When they were doing a revival she called me. That voice. She said, ‘Hello Lee Roy. It’s Carol.’ Like I didn’t know. She said, ‘Look, I want you to play Cornelius Hackl. The director doesn’t know you, so you have to audition. But don’t worry, you got the job.’ “

He has directed Uggams, Madeline Kahn, Michele Lee, French star Nicole Croisille and others in the role over the years.

Reams adds, “Bringing a male perspective to that character will make it more interesting to me. I’ve told so many ladies how to do it and now I’ll find out if what I said works.

“The atmosphere is prime. It’s time. People are no longer being told what they should play. People can play all kinds of roles now, regardless [of] their sexual orientation or ethnicity. I think we’re all more open to that now. And I think (producer) Marilynn Wick is so brave to do this.”

The reviews are just starting to come in, and they are raves. Rod Stafford Hagwood, reviewing for SouthFlorida.com, wrote;

“He (Reams) has given the 51-year-old musical a sense of briskness and brightness with some triumphant choreography by Randy Slovacek and wow-pow moments courtesy of musical director Michael Ursua.”

This isn’t the first time Reams has broken barriers: in 1970 he became the first actor to play an openly gay character in a major Broadway musical. Long before others bravely hit the boards in gay roles, Reams played Lauren Bacall’s openly gay hairdresser & confidante “Duane Fox” in Applause in 1970. One of our great “elder gays,” he has represented the gay community proudly, never attempting to hide who he is.

Beyond the gender bending aspect of this production, Reams adds that the story’s themes are what make the show still relevant today, especially in a presidential election cycle.

“The thing that continues to amaze me is how good a show it is,” Reams says. “The music is just perfect and the book is so strong. That money speech is as current now as it was then. That’s when Dolly says, ‘The surest way to keep us out of harm is to give us the four or five human pleasures that are right in the world… and that takes a little money.’

“And then she says, ‘The difference between a little money and no money at all is enormous, and can shatter the world. And the difference between a little money and an enormous amount of money is very slight, and that can shatter the world too.’

“Now tell me that isn’t what everything going on these days in the news is all about?”

Hello, Dolly! runs through Dec. 6 at the Wick Theatre in Boca Raton, FL. For ticket info, go to TheWick.org.

(source)

PBS Special: Josh Groban & Kelly Clarkson “All I Ask Of You”

From his upcoming PBS special based on his current album exploring the Broadway songbook, Josh Groban and guest Kelly Clarkson sing “All I Ask of You” from Andrew Lloyd Weber’s The Phantom Of The Opera.

I have it good authority that Groban was urged to do a Broadway/standards album for years by members of his team but the pseudo-opera singer resisted, instead recording much of the lack-luster pop/crossover material he’s released in recent years, much of that self-penned.

I’ve been a fan of his earlier recordings, but in the past year or so his voice seems a bit “tight” to me and he seems to lack the vocal prowess he once had. If you watched this year’s Tony Awards, you know what I mean.

I don’t know if he changed coaches or regimen, but it is noticeable. Additionally, he continues his annoying habit of singing with his eyes closed, which has bothered me for years.

That said, I so like several tracks on the Broadway album. Given the right material, there’s no denying Groban can be a talented vocalist. You can check it out on iTunes here.

The PBS special will air throughout December.

Throwback Thursday: Hello, Dolly! On Broadway

Click on the pic to enlarge

I’m in rehearsals for Hello, Dolly! at  The Wick Theater in Boca Raton, Florida, so I figure it’s time for a little #TBT.

The above pic was from the 1995 Broadway revival of Dolly with Carol Channing (who else?) at the Lunt-Fontanne Theater on West 46th Street, taken during the “Hello Dolly” number. I’m far right in the pic closest to Carol (there in the shadows, but happy to be there).

Below is the end of the very athletic “Waiter’s Gallop.” I’m second from the left with the shish kabob in my hand. Please note my pulled up feet 🙂

Staging the show now, and passing on what I learned with such a beautiful, wonderful company on Broadway always makes me smile.

Just to underscore that, I always share that in 22 months, no one left the company. We were all so happy to be there. That sounds so pollyanna, but it’s true. Trust me – that isn’t always the atmosphere backstage on Broadway.

Here’s to every Dolly past and present!

Sunday Showtune: “Hello, Dolly!”

The legendary Broadway star Carol Channing in Hello, Dolly!

I’ve been working hard in Boca Raton, Florida, this week where I’m choreographing Hello, Dolly! again with my partner in crime, Lee Roy Reams.

This time will be a little different, though, because Lee Roy is not only directing again but starring – as “Dolly Levi.”

This was the first week of rehearsals and this morning we do a crawl through of Act One. The dancers have been great picking up all the choreography, and working with Lewis Stadlen, James Clow and Susan Powell again on this show has made me laugh all week.

Next week we move on to Act Two, including the “big number” itself – “Hello Dolly.”

So I was in the mood to throw back to 1995 when I did this fab musical wonder with the original legend herself, Carol Channing.

Take a look below. I’m in there 🙂

Happy Sunday!

40 Years Ago Today: A Chorus Line Officially Opens On Broadway

October 19, 1975, A Chorus Line officially opened on Broadway at the Shubert Theatre

Time: Now. – Place. Here.

“The characters portrayed in A CHORUS LINE are, for the most part, based upon the lives of Broadway dancers. This show is dedicated to anyone who has ever danced in a chorus or marched in step…anywhere.”

It’s difficult to calculate the impact the show has had on my life and career. As many long-time readers know, I performed in two national touring companies of the show, working at different time with several of the now legendary original cast members including Tony Award winners Donna McKechnie, Kelly Bishop, Priscilla Lopez, plus Baayork Lee, Thommie Walsh and Kay Cole.

I also came thisclose to being cast in the Broadway production twice. Life.

Since then, I’ve passed on what I learned from those greats by staging almost a dozen productions of the show.

Happy Anniversary A Chorus Line!

(h/t Paul Liberti)

Viral Video: Hip-Hop Goes Broadway 2

Superfruit (the gay members of Grammy winning vocal group Pentatonix) is back with a second helping of hip-hop hits a la the Broadway treatment.

If you’re a real Broadway fan, you’ll know which Great White Way tune is being spoofed along the way.

I love stuff like this. Almost a million views in a week.

(h/t JMG)

Tony Award Winner Jason Robert Brown Shares Original Demo For “Songs For A New World”

In a post on his personal blog, Tony Award winner Jason Robert Brown shares the original demo of the opening of his Songs for a New World, which premiered in NYC 20 years ago.

Hard to believe the piece is already 20. I remember when it first arrived and theater audiences first discovered Brown’s terrific writing. Since then, the show – essentially a revue – has become a favorite for colleges and regional theaters.

I loved the entire cast recording, although due to contractual issues at the time Tony Award winner Billy Porter was not allowed to record the cast recording. Fab Ty Taylor filled in for the recording, but I’ve always longed to hear Billy sing this glorious opening number.

From Brown’s blog:

October 12, 1995, was the first performance of Songs for a New World at the WPA Theatre on W. 23rd St. in Manhattan. Almost no one saw it, the reviews were polite but dismissive, and the theater doesn’t even exist anymore. Yet Songs for a New World lives on, in its wonderful cast album (produced by the great Jeffrey Lesser and released by the visionary Bill Rosenfield) and in the hundreds of productions the show receives all around the world every year.

You can go here to see photos of the original production and read the reviews. And below, I’ve posted (for the first time) the original demo recording of the opening sequence of the show – all twelve minutes of it! – featuring four amazing singers who did so much to shape the sound of the show. Andréa Burns and I had known each other since summer camp in the 80s, and Billy Porter sang during my shifts in the piano bar at Don’t Tell Mama when he would finish his performances in Miss Saigon; they both were able to stay with the project for its entire development. I’ve talked about Amy Ryder a lot on this blog and how much she supported me in my first years in this business and made NY feel like home. And finally, Brian d’Arcy James came in for an audition for a project at Manhattan Theatre Club that I was music-directing, and I immediately grabbed him and got his phone number because I knew I needed him to sing my music.

The voice you can’t hear on the demo is that of my director and collaborator and confidante and support system, Daisy Prince, who heard my songs in a piano bar and signed on to the next four years of her life building this crazy revue.

Twenty years is a long time, and it feels like it, actually. I saw Andréa, Brooks, Billy and Jessica just four days ago at a reading of Prince of Broadway and we are all profoundly different than we were back then, and yet we are still connected, bound by this marvelous mad adventure we had. Songs for a New World was my first professional show. And it was glorious.

CATS The Musical Opened On Broadway 33 Years Ago Today

Thirty-three years ago today, Broadway history was made when Andrew Lloyd Webber’s CATS opened at the Winter Garden Theater.

The show would run for 7,485 performances ultimately closing on September 10, 2000.

Come awards season, the production would win 7 Tony Awards, and a slew of other honors.

The show holds a special place in my heart as, after struggling mightily during my first year as a young actor in NYC, I was cast as “the magical Mr. Mistoffelees” in the brand new second national touring company. For two years, I earned my first decent pay check as an actor, traveled the entire country and had the most amazing time a 23 year old can have.

I fell in and out of love; I learned how to “work” on a long running show (it was easily the most physically demanding show I would do); and I gained wonderful, important friendships that hold strong ties today.

Bonus – although I did not do the show with her, over the years I’ve developed a terrific friendship with the show’s Tony Award winning “Grizabella,” Betty Buckley. I saw her in the role and she, along with the entire production, held me transfixed for almost three hours. The memory (you see what I did there, right?) lives on vividly in my head even today. I love that we share that bond.

Congrats to everyone who helped create this art that employed and entertained so many people even today.

Much credit to Trevor Nunn (the original director), Gillian Lynne (the original choreographer who SHOULD have won the Tony Award that year), T.S. Eliot (the poet who’s work the show is based on), and especially David Taylor, T. Michael Reed and Stanley Lebowsky – the supervisors of the show who staged our company.

A photo posted by Betty Lynn Buckley (@blbuckley) on Oct 7, 2015 at 11:21am PDT

Preview: Kern & Hammerstein’s SHOWBOAT on PBS

Vanessa Williams as “Julie” in Showboat

Set your DVRs for this not to be missed Broadway musical experience as Vanessa Williams, Norm Lewis and a cavalcade of major talent performs the classic Showboat.

From PBS:

Both a cultural and artistic watershed, this groundbreaking musical redefined entertainment and changed the face of American theater. Spanning from 1880 to 1927, Jerome Kern and Oscar Hammerstein II’s lyrical masterpiece concerns the lives, loves and heartbreaks of three generations of show folk on the Mississippi, in Chicago and on Broadway. Its impact remains unparalleled, addressing serious subjects like racial prejudice, introducing a bi-racial cast to Broadway, and pointing the way toward a new synthesis between music and spectacle.

The show airs Friday, October 16th. Check local listings for times.

When Jerry Herman & “Dolly Levi” Worked Their Magic Into My Life

‪#‎TBT‬ I got this photo recently from Bruce Blanchard, my HELLO, DOLLY! cast mate from the 1995 Broadway revival. I’d never seen this before.

Back in late 1995, the cast made an appearance with the Tony Award winning composer/lyricist Jerry Herman at a record store (Tower Records I guess?) in support of our Broadway cast recording.

Amazing to see this all these years later. I should add that it was the BCR of HELLO, DOLLY! that introduced me to my husband, Michael. We met at the recording session for the album (he was VP of Marketing & Publicity for the record company that recorded the album) and have been together ever since.

I’ve often thanked Jerry for that.

Dolly worked her magic yet again 🙂