
I love this almost-military take on the classic Christmas tune, “God Rest Ye Merry Gentlemen,” from Grammy Award winners Pentatonix – A Pentatonix Christmas.
LGBTQ news and entertainment

I love this almost-military take on the classic Christmas tune, “God Rest Ye Merry Gentlemen,” from Grammy Award winners Pentatonix – A Pentatonix Christmas.


Lin-Manuel Miranda’s Tony and Grammy Award-winning musical In The Heights has made it to Hollywood and we finally get the official trailer. Set in New York City’s Washington Heights neighborhood, the musical chronicles the lives of immigrants and the generations that follow them, including Usnavi played by Anthony Ramos. Usnavi owns the local bodega and dreams of winning big in the lottery and making it out of the barrio. The quintessential steamy New York summer brings complications for characters from all parts of the neighborhood, including a love interest for Usnavi in the form of Vanessa (Melissa Barrera). In The Heights dances into theaters Summer 2020.

Best friends Mia and Mel (Tiffany Haddish and Rose Byrne) are living their best lives running their own cosmetics company they’ve built from the ground up. Unfortunately, they’re in over their heads financially, and the prospect of a big buyout offer from a notorious titan of the cosmetics industry Claire Luna (Salma Hayek) proves too tempting to pass up, putting Mel and Mia’s lifelong friendship in jeopardy. The beauty business is about to get ugly.
Emmy Award winner Billy Porter plays a cosmetics chemist who apparently gets fired when Hayek says he’s got to go. Porter’s character seems about as shy as Porter himself in real life. The Pose star shared his excitement about the film in a recent interview for Palm Springs Life Magazine saying, “Praise the Lord, I got a really good part.” The film also stars Jennifer Coolidge (who I love), Ari Graynor, Natasha Rothwell, Jessica St. Clair, and Karan Soni. Like A Boss lands in theaters January 10.
The nominations for the 77th Golden Globe Awards were announced this morning, and Billy Porter received a nod for his star turn as Pray Tell in the groundbreaking FX series, Pose. Porter was nominated for the same role last year but lost the trophy to Bodyguard’s Richard Madden. He may have lost out on the GG, but he did take home the 2019 Primetime Emmy Award for ‘Outstanding Lead Actor in a Drama Series,’ becoming the first openly gay black man to be nominated and win in any lead acting category at the Primetime Emmys.
SLAY, @theebillyporter. Congratulations on your #GoldenGlobes nomination. #PoseFX pic.twitter.com/dyU0KcucYU
— PoseFX (@PoseOnFX) December 9, 2019
On the television side, Chernobyl, The Crown and Unbelievable received four nominations, while Barry, Big Little Lies, Fleabag, Fosse/Verdon, The Kominsky Method, The Morning Show and Succession all garnered three nominations each.
Don’t miss the 77th annual Golden Globes on January 5, 2020, with host Ricky Gervais. You can find the full list of nominees below: Best Motion Picture — Drama 1917 The Irishman Joker Marriage Story The Two Popes Best Motion Picture — Musical or Comedy Dolemite Is My Name Jojo Rabbit Knives Out Once Upon a Time in Hollywood Rocketman Best Foreign-Language Motion Picture The Farewell Les Misérables Pain and Glory Parasite Portrait of a Lady on Fire Best Limited Series or TV Movie Catch-22 Chernobyl Fosse/Verdon The Loudest Voice Unbelievable Best Television Series — Drama Big Little Lies The Crown Killing Eve The Morning Show Succession Best Comedy Series Fleabag Barry The Kominsky Method The Marvelous Mrs. Maisel The Politician Best Motion Picture — Animated Frozen II How to Train Your Dragon: The Hidden World Missing Link Toy Story 4 The Lion King Best Director — Motion Picture Bong Joon-ho, Parasite Sam Mendes, 1917 Todd Phillips, Joker Martin Scorsese, The Irishman Quentin Tarantino, Once Upon a Time in Hollywood Best Performance by an Actor in a Limited Series or Movie Christopher Abbott, Catch-22 Sacha Baron Cohen, The Spy Russell Crowe, The Loudest Voice Jared Harris, Chernobyl Sam Rockwell, Fosse/Verdon Best Performance by an Actress in a Limited Series or Movie Kaitlyn Dever, Unbelievable Joey King, The Act Helen Mirren, Catherine the Great Merritt Wever, Unbelievable Michelle Williams, Fosse/Verdon Best Performance by a Supporting Actor in a Series, Limited Series, or TV Movie Alan Arkin, The Kominsky Method Kieran Culkin, Succession Andrew Scott, Fleabag Stellan Skarsgård, Chernobyl Henry Winkler, Barry Best Performance by a Supporting Actress in a Series, Limited Series, or TV Movie Patricia Arquette, The Act Helena Bonham Carter, The Crown Toni Collette, Unbelievable Meryl Streep, Big Little Lies Emily Watson, Chernobyl Best Score for a Motion Picture Little Women Joker Marriage Story 1917 Motherless Brooklyn Best Original Song “Beautiful Ghosts,” Cats “(I’m Gonna) Love Me Again,” Rocketman “Into the Unknown,” Frozen II “Spirit,” The Lion King “Stand Up,” Harriet Best Performance by an Actor in a Comedy Series Michael Douglas, The Kominsky Method Bill Hader, Barry Ben Platt, The Politician Paul Rudd, Living With Yourself Ramy Youssef, Ramy Best Performance by an Actress in a Comedy Series Christina Applegate, Dead to Me Kirsten Dunst, On Becoming a God in Central Florida Rachel Brosnahan, The Marvelous Mrs. Maisel Natasha Lyonne, Russian Doll Phoebe Waller-Bridge, Fleabag Best Performance by an Actor in a Drama Series Brian Cox, Succession Kit Harington, Game of Thrones Rami Malek, Mr. Robot Tobias Menzies, The Crown Billy Porter, Pose Best Performance by an Actress in a Drama Series Jennifer Aniston, The Morning Show Jodie Comer, Killing Eve Olivia Colman, The Crown Nicole Kidman, Big Little Lies Reese Witherspoon, The Morning Show Best Performance by a Supporting Actor in a Motion Picture Tom Hanks, A Beautiful Day in the Neighborhood Anthony Hopkins, The Two Popes Al Pacino, The Irishman Joe Pesci, The Irishman Brad Pitt, Once Upon a Time in Hollywood Best Screenplay Marriage Story Parasite The Two Popes Once Upon a Time in Hollywood The Irishman Best Performance by a Supporting Actress in a Motion Picture Kathy Bates, Richard Jewell Annette Bening, The Report Laura Dern, Marriage Story Jennifer Lopez, Hustlers Margot Robbie, Bombshell Best Performance by an Actor in a Motion Picture — Musical or Comedy Daniel Craig, Knives Out Taron Egerton, Rocketman Roman Griffin Davis, Jojo Rabbit Eddie Murphy, Dolemite Is My Name Leonardo DiCaprio, Once Upon a Time in Hollywood Best Performance by an Actor in a Motion Picture — Drama Christian Bale, Ford v Ferrari Antonio Banderas, Pain and Glory Adam Driver, Marriage Story Joaquin Phoenix, Joker Jonathan Pryce, The Two Popes Best Performance by an Actress in a Motion Picture — Musical or Comedy Ana de Armas, Knives Out Cate Blanchett, Where’d You Go, Bernadette Beanie Feldstein, Booksmart Emma Thompson, Late Night Awkwafina, The Farewell Best Performance by an Actress in a Motion Picture — Drama Cynthia Erivo, Harriet Scarlett Johansson, Marriage Story Saoirse Ronan, Little Women Charlize Theron, Bombshell Renée Zellweger, Judy
Going way back to almost the beginning of the aca-awesome group, Straight No Chaser performs their unique “12 Days of Christmas” for the first time, on December 7th, 1998, in the Musical Arts Center at Indiana University, in Bloomington, Indiana. Great arrangement. Clever, funny, and smart. If you don’t know these guys, make sure you check out their many holiday albums as well as their cover versions of pop songs here.

In a recent chat, Thomas shares the inspiration for the collection: The Randy Report: Slow Dancing With a Boy is described as exploring the memories of a young gay man coming of age and questioning “the possibility of having lived those memories honestly.” Can you talk a bit about that journey in relation to these songs? Marty Thomas: School dances in my hometown were kind of a big deal. Small town living can make you blow special events out of proportion and can create impossible expectations. It was also the 90s in small-town America and I definitely didn’t have the confidence or feel a sense of safe space to come out and live honestly in high school. Looking across a dance floor and seeing a boy I had such a crush on, but couldn’t let anyone see me talking to, made those moments kind of excruciating. As grateful as I am to the girls who accompanied me to my school dances, those moments would have been vastly different if I could have danced with someone I was organically attracted to. All of the songs on this album have a specific meaning or memory tied to a life moment where I felt unable to live truthfully. Taking them back to rearrange them and place them firmly in the light was like cheap therapy. TRR: Is there a favorite song on the new album? MT: I’m so proud of this project, and I love so many tracks from the album. One tune that stands out is a country two-step cover of Mariah Carey’s “Dreamlover.” It was a song that was HUGE when I was in high school. I grew up in a farm town in Missouri, and we had a school dance every year that was country themed in an old rock barn in town. It was definitely a dance that made me feel like a bit of an outsider and giving the song a two-step vibe definitely gave me a laugh. My producer Jamey Ray and my country singing friend Rachel Potter helped me bring this song to life. TRR: Was it hard to choose the songs on the album? MT: Oh yeah, there was a long list of possibilities for this record. I went back and forth with my producer to narrow it down. Though I’m thrilled with the final tracklist, NOT covering a Whitney Houston song from The Bodyguard soundtrack will probably be one of the great regrets of my gay life. TRR: What was your approach to finding your version of these songs? MT: I let the concept marinate for almost two years before I really started narrowing down the song list and creating the arrangements. Every time a jam would come on the radio that took me back to a nostalgic place, I would write it down and categorize it. Once I sat down with my producer, Jamey Ray to begin crafting the album, I really started picking and choosing the music that brought me back to specific, difficult emotional places. There is endless material that has inspired me as a performer, but this project really wasn’t about that. The songs on ‘Slow Dancing With A Boy’ had to be attached to specific memories of self-doubt and fear of fitting in. There were certain covers where the original version was incredibly important to honor, like “Remember Me This Way” by Jordan Hill from the Casper the Friendly Ghost soundtrack. It was the theme to my Junior prom and Jordan (who I also knew from my Star Search days) was cool enough to fly in and go to my country prom with me. Other songs like ‘Somewhere’ from the musical West Side Story and “As” by Stevie Wonder got a whole new approach to bring a renewed joy to the songs and contribute to the healing process. TRR: Do you approach recording projects differently than live performances? If so, how? MT: I definitely think about recording pretty theatrically. Studio work and stage work are very different skills and I’m always so excited about the opportunity to work in the studio. The concept of this particular project is a bit dramatic, I admit, but the process has been incredibly cathartic.
TRR: When not working on music, what fuels your creativity? MT: I’m a hairdresser. It started as a fun passion project and turned into a second full-time career. I have a private salon where I take clients regularly and I also work with wigs for Disney International. It’s a constantly evolving business and art form that’s always exposing me to new people and situations. I feel like my two careers effectively support each other. TRR: Is there any particular piece of professional advice you’ve gotten that really resonated with you? MT: When I was a kid, I was on a show called Star Search with Billy Porter (Emmy Award winner – Pose). We were both working on Broadway at the time and for years after, Billy acted as a mentor to me. I sang backup vocals on his record, ‘On The Corner Of Broadway And Soul” and while we working on it – I was auditioning for anything and everything that would see me. He sensed my frustration and gave me some advice that I’ll never forget. With experience, he shared that the industry might take a while to get hip to who I am and what I have to say. He encouraged me to not try and change myself to fit in, or even to book a job. He encouraged me to just do me, and wait for the world to be ready for it. He lives his own advice and it sure has paid off for him. TRR: What’s next on the horizon? MT: I’m doing a concert on December 14 with Broadway composer Jason Robert Brown at the venue Subculture, where he has an artist’s residency. Slow Dancing With A Boy is a prom/school dance-themed project, so I’m throwing myself a “second chance prom”! January 5, at the Green Room 42 in NYC I’m inviting friends and fans to get dolled up and come dance with me. I hired a party band, DJ and a prom photographer for an authentic prom do-over! I’ll sing from the album and then open up the floor to some good old fashioned Footloose-style celebrating. Check out Thomas’ take on “Crazy For You” below and look for the new album, Slow Dancing With a Boy on all digital download sites December 6. And while we’re here, let’s revisit that moment in the 1990s when Thomas won the top prize over Britney on Junior Star Search.


I recently spoke with the handsome artist about the new track and video.
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The Randy Report: Congratulations on the debut single. Musically, “Glue” moves in and out of different tempos and sonic textures. What inspired the change-ups? Adam Roberts: My favorite type of music that impacts me most is the kind that builds, is dynamic and that takes me on a ride. I wanted the mood of the song to musically fit the narrative journey of the text. For instance, I crafted the middle orchestral section paired with my vocals to be indicative of the ebb and flow of a relationship and to have a yearning quality to it, while the final chorus has more of a sprinting urgency to it. TRR: With years of experience on stage in Broadway shows, did you find story-telling via the recording studio to require a different approach? AR: Amazing question! I did actually. On stage, you’re playing to the back row. In a recording studio booth, it’s just you and a mic several inches from your face, which is much more intimate. I found that I allowed myself to let go of the physical and facial expressions and reroute the emotions into a more concentrated and zeroed-in manner, pouring it all into my voice. I was very strategic with how I played with a whispery softness versus a chesty belt or a chilly straight tone opposed to a ringing vibrato.
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Roberts made his Broadway debut in Spider-Man: Turn Off The Dark, which was followed by the critically-acclaimed Broadway revival of Pippin. Prior to his current gig in the national tour of Miss Saigon (where he covers the lead role of ‘Chris’), he traveled the country in the national company of Dirty Dancing. He also recently served as co-director/co-choreographer for Broadway Backwards, the annual celebration where men sing songs originally written for women and vice versa. In doing so, gay and lesbian stories are told through the great songs of musical theatre and sung by our favorite Broadway performers. “Glue” is available on iTunes here, and you can follow Adam Roberts on Instagram here.