I was really in the mood to hear this today…
Patti Lupone and Mandy Patinkin from the original Broadway cast recording of EVITA
LGBTQ news and entertainment
I was really in the mood to hear this today…
Patti Lupone and Mandy Patinkin from the original Broadway cast recording of EVITA
Personal shout-out to Norm Lewis, Rob Ashford, Kathleen Marshall, Chris Gattelli and Wayne Barker! Congrats guys!
While in NYC this past week, I was able to see several shows on Broadway. I love being in a Broadway theater and seeing folks do what they do best.
GHOST the Musical, based on the Patrick Swayze/Demi Moore/Whoopi Goldberg movie, was visually fantastic. Like nothing I’ve ever seen. If you know the movie (and who doesn’t?) you know it begins with someone dying and becoming a ghost. It’s hard to imagine the show without the technology which really made telling the story possible. This production takes technical theater to a new height. Da ‘Vine Joy Randolph, who plays the Whoopi Goldberg role, is a serious scene-stealer. Hysterical, funny and has a big voice.
Tracie Bennett could very well win the Tony Award for Best Actress in a Play for her portrayal of Judy Garland in her final days. Completely lived up to her reviews and hype. Michael Cumpsty brings his usual brilliance to the play as Judy’s accompanist. Plus the wonderful Jay Russell, who I went to college with at Syracuse University, is wonderful in the production. Congrats Jay on a fab evening in the theater.
Word is Linda Lavin also is a heavy contender in the Tony Award for Best Actress in a Play. She was very funny especially in the first act of this play. If you think family members loudly telling each other to “f*ck off” over and over is funny, you’ll love this. The second act lost me a bit, but I did enjoy the play overall.
Also saw the new revival of EVITA. Rob Ashford’s choreography was the highlight of the evening. Beautiful work by Rob.
One show I did not get to see this trip and will definitely see next is the revival of “Porgy and Bess” starring Norm Lewis & Audra McDonald. I did get to catch up with Norm for a bit after one of his performances, and I’m happy to report the show is doing well not only with the audiences but at the box office as well. Both Audra and Norm have been nominated for many awards for their performances. Can’t wait to see it.
Last week the Drama Desk announced its nominees for the 2011-2012 season celebrating the best of On, Off and Off-Off Broadway. Absent from this year’s list was a category honoring the “Outstanding Orchestrations.”
After hearing the outpouring of concern and support for the category (including an online petition, created by Jamie McGonnigal, with 3,000+ signatures from industry notables and fans), the Drama Desk Executive Board has announced that they will reinstate the category for this year’s awards show on June 3 at The Town Hall.
Producers of the Broadway production of “How To Succeed In Business Without Really Trying” said Tuesday a five-song EP will be released May 8 featuring the voice of the youngest of the three Jonas Brothers, Nick Jonas.
Jonas is currently playing J. Pierrepont Finch, having taken over the part from Darren Criss of Fox’s hit show “Glee,” who briefly assumed the role from Daniel Radcliffe.
Jonas, who is committed to playing the song-and-dance part until at least July 1, has recorded “Brotherhood of Man” and “I Believe In You” among the five songs.
Daniel Radcliffe also recorded his own cast album.
From Playbill: The international hit musical Wicked, which is based on the novel by Gregory Maguire and features a score by Stephen Schwartz and a book by Winnie Holzman, has made its creators multimillionaires.
Producers and investors in the musical, which celebrated its eighth anniversary at Broadway’s Gershwin Theatre Oct. 30, 2011, have enjoyed more than $300 million in profits from productions of Wicked worldwide, according to Bloomberg.com.
Authors Maguire, Schwartz and Holzman have earned more than $95 million, while director Joe Mantello’s take has exceeded $23 million. Others who have profited include set designer Eugene Lee (more than $6.6 million), choreographer Wayne Cilento (more than $6.3 million) and costume designer Susan Hilferty (more than $2.2 million).
Information was obtained from papers released by the New York State attorney general’s office. A production spokesperson could not confirm the figures.
I’ll be seeing this April 26th – can’t wait. Rob Ashford’s choreography looks great in the video.
Love the score, love the idea of a fresh version of the show, and who doesn’t want to meet Ricky Martin backstage?
A few reviews:
Elysa Gardner, USA Today: Though Rogers’ voice isn’t strong, her singing has a raw ache and folky authenticity. She also moves like a gazelle, reinforcing Eva’s beguiling sensuality and adding further sparkle to Ashford’s earthy, vibrant dance numbers. The narrator, Che, isn’t presented as the flamboyant revolutionary (based on Che Guevera) he became under Harold Prince’s original direction. A charming Ricky Martin plays the character more as an amused, sometimes sympathetic spectator; though critical of Eva, as Rice’s lyrics demand, he also conveys a certain tenderness.
Mark Kennedy, Associated Press: Much of the buzz coming from the new revival “Evita” has been about the spitfire Argentine playing the title role. But all of the heat actually comes from the guy shaking his bon-bon. Ricky Martin is easily the best thing about this revival of Andrew Lloyd Webber’s bio of Eva Peron, which opened Thursday at the Marquis Theatre. He sings beautifully, dances gracefully, athletically climbs ladders, plays his role with a knowing sneer and elicits drools in his suspenders and tight white shirt. He even makes a mustache work. In fact, maybe it’s time for Broadway to have a new rule: Put Ricky Martin in everything. He would fit in happily at “Newsies.” He would definitely enliven “Death of a Salesman.” Heck, put him in “Mary Poppins” and watch the roof really lift off.
Terry Teachout, The Wall Street Journal: Never having seen Harold Prince’s much-admired original production of “Evita,” I’m not in a position to compare it to this one, and in a way I’m glad. Despite the inadequacies of its nominal star, Mr. Grandage’s “Evita” is an impressive achievement that should be judged on its own merits, which are legion. Even if you don’t like Andrew Lloyd Webber’s music, it will hold your eye from curtain to curtain.
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Love the song.
And especially love the choreographed section in the beginning by Steven Hoggett.
In my hometown today for a screening of “Carol Channing: Larger Than Life” at the Fort Worth Modern Art Museum.
The Fort Worth Star Telegram gave the film 4 stars and ran a photo of me with Carol on Broadway at “Gypsy of the Year 2010.” Kinda cool for home-town boy.
I’ll be attending the 2pm screening with “Hello, Dolly!” Broadway cast mates Halden Michaels, Ashley Stover and Matthew Sipress. The museum invited us to attend and perhaps do a little “talk back” with the audience about the experience of working with Carol on Broadway.
Plus my friends John and Leslie Bell, Addester Williams and Jaynette Dubrowski Holland will also be attending so this is probably the closest thing to a high school reunion I’ll ever attend 🙂
Looking forward to it. The film is terrific and the audience will be too, so if you’re in Fort Worth this afternoon come by the Modern and take in a little afternoon cinema.
I was lucky to attend the dress rehearsal of this production at Lincoln Center a few years ago. Perfect casting, perfect music.
I just had to hear this today. Can you believe how gorgeous this is?
Paul Groves (Candide)
Kristin Chenoweth (Cunegonde)
Sir Thomas Allen (Dr. Panglos)
Jeff Blumenkrantz (Maximillian)
Patti LuPone (The Old Lady)
John Herrera (Governor, Prefect)