

“I hadn’t thought about recording again. The last thing I recorded was with Barry Gibb on his Greenfields album, that was lovely. And I thought, you know, I’ve kind of covered it. But the song, this song, coerced me into singing it – there was no way I couldn’t sing it. So I started doing my warm-up with [vocal coach] Steve Real, just to see if it was still there. So, to be honest, I was a little nervous because I hadn’t sung in the studio in a long time. ‘What if I don’t hit the notes, what if it’s not there?’ Yeah, it took a minute (laughing).”
On the musical arc, build, and storytelling of ‘Window in the Wall:’
“That’s always been important to me. That’s been the history for me, particularly songs from ‘yesteryear’ (laughing). They were more of a story-building, you start with less and then build-up. A lot of the records now they’re kind of throwing the kitchen sink early because they want to grab attention. But this is more of that, as you said, story-line that needed to build. We worked on the bridge for a while to get that build. It was a really fun experience to do it.”
Hit the play button below to hear more of my chat with Olivia Newton-John and Chloe Lattanzi. Link to Olivia’s memoir “Don’t Stop Believin” on Amazon. Link to my interview with Olivia about her memoir “Don’t Stop Believin'”
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