Rosie O’Donnell to receive special 2014 Tony Award for her support of the arts

The Hollywood Reporter shares that Rosie O’Donnell has been announced as this year’s recipient of the Isabelle Stevenson Award.

The honor is awarded each year at the Tony Awards to “an individual from the theatre community who has made a substantial contribution of volunteered time and effort on behalf of one or more humanitarian, social service or charitable organizations, regardless of whether such organizations relate to the theatre.”

O’Donnell was chosen for the 2014 award in recognition of her commitment to arts education for New York City public school children and her establishment of the nonprofit arts education foundation Rosie’s Theater Kids (originally known as Rosie’s Broadway Kids), which provides students with training in dance, music and drama, mentoring programs and exposure to professional theater.

“Rosie exemplifies the spirit and the generosity of the Broadway community through her “pay it forward” mentality within the arts community and beyond,” said Charlotte St. Martin, executive director of The Broadway League and Heather Hitchens, executive director of the American Theatre Wing.

First look at Neil Patrick Harris in “Hedwig and the Angry Inch” on Broadway

Entertainment Weekly has an exclusive first look of Neil Patrick Harris in full Hedwig drag in Broadway’s Hedwig and the Angry Inch.

Previews began this past Saturday with official opening on April 22 at the Belasco Theatre with the How I Met Your Mother star playing “Hedwig,” a fictional East German rock singer living as a female after a botched gender-reassignment operation.

In a recent announcement, a portion of all ticket sales will benefit Hetrick-Martin Institute, “the nation’s oldest and largest organization helping gay, lesbian, bisexual, transgender, and questioning youth to reach their full potential.”

Click here for ticket info.

(via Advocate)

Favorite Things: Ramin Karimloo of "Les Miserables" and "Phantom of the Opera"

Ramin Karimloo

Ok, so I’ve ‘known’ about Ramin Karimloo for a couple of years now. He was discovered in London and starred in “Love Never Dies,” the sequel to Andrew Lloyd Webber’s “Phantom of the Opera.”

He has also starred in “Les Miserables” playing all three leading male roles, including the 25th Anniversary Concert of “Les Miz” as “Enjolras” that was broadcast worldwide from the O2 Arena, and “the Phantom” in the 25th Anniversary performance of “Phantom of the Opera.”

He just opened in the new revival of “Les Miserables” on Broadway as “Jean Valjean” to wild acclaim. From the New York Times:

Making a sterling Broadway debut, he sets a high standard in the prologue, performing Valjean’s angry soliloquy with fiery intensity and full-throttled vocalism that gradually shades into more nuanced coloring as Valjean puts behind him the grim shadows of his imprisonment and forges a new life.

The highlight of his performance, and perhaps the production as a whole, is Mr. Karimloo’s beautifully restrained but richly felt rendition of “Bring Him Home,” one of the score’s less thundering songs, in which Valjean sends up a prayer for Marius, who has fallen at the barricades after falling for Cosette (Samantha Hill), whom Valjean has raised after her mother’s death. Mr. Karimloo’s croon is as sweet as his belt is big.

So, there.

What I didn’t know is how handsome he is. And his manner in his own concerts is so warm and congenial that you just want to sit for hours and take in the whole package – the voice, the face, the warmth. All of it.

The clip below is from a concert tour he did (this was in Tyler, TX) and he sings an unlikely “I Dreamed A Dream” (the female lead’s song from Les Miz) with power, ease and sensitivity.  Just the right balance of masculinity and vulnerability.

And did I mention he’s really hot? 

Ramin Karimloo is my new favorite thing.

Right before I was about to hit “Publish” on this post I found this version of Ramin singing “Bring Him Home” from “Les Miz,” but from one of his own concerts. I had to add this.  

I seriously encourage you to get to NYC and see Ramin and the entire fab company if “Les Miserables” on Broadway.

Elaine Stritch: I’m just becoming aware I’m a gay icon

PrideSource has a great interview with Broadway legend Elaine Stritch. I highly recommend reading it.

Among many things that stand out is Stritch’s statement that she never really knew she had a following in the gay community until recently:

A Broadway legend has to be aware the community thinks she’s an icon, but no, not Stritch. “I’m just becoming aware of it,” she admits, but why now? “By articles such as this one. I really have become very much aware, first of all, what great audiences they are. And it isn’t that I finally discovered that gay people understand me and straight people don’t – oh, no no no. Not a word of truth in that. I can’t tell you how many straight people I know that think I am the cat’s pajamas.”

But not knowing you have a gay following until now, 70 years into your career … a career in one of the gayest professions pursuable: the theater? Stritch is as surprised as you are.

“It sounds like I’ve lost my mind, but I feel like I’m becoming aware of it.

She also addresses how much she loves gay men’s humor and her deep affection for Edward Albee.

A new documentary on her life today “Elaine Stritch: Shoot Me” was recently released.

(h/t JMG)

Norm Lewis is the next “Phantom” in Broadway’s PHANTOM OF THE OPERA

Excellent news that the fab Norm Lewis will be taking over the role of “the Phantom” in Broadway’s long running mega-hit PHANTOM OF THE OPERA.

The Tony Award nominee for PORGY AND BESS will be the first African-American to assume the role on Broadway (although Robert Guillaume sang the Phantom in the Los Angeles production in 1990).

And even more, his “Christine” will be Sierra Boggess who starred with Norm in the Broadway production of “The Little Mermaid.”

Sierra played “Christine” in the Las Vegas incarnation of the show and then went on to create the role in the sequel “Love Never Dies” in London.

From the New York Times:

“Having worked with Norm since the 90s, when he played John in ‘Miss Saigon’ on Broadway, and then Javert on Broadway in ‘Les Misérables’ in 2006,” Cameron Mackintosh, one of the show’s producers, said in a statement, “I couldn’t be more thrilled that he is now joining ‘Phantom,’ matched with Sierra – one of the finest Christines ever. It’s hard to imagine a more exciting pairing.”

Norm and Sierra begin performances on Broadway on May 12th.

Happy Birthday Thommie Walsh

I originally posted this on March 15, 2011.  This is an important post for me, which I’ve now shared for the past three years.  And I plan to post it every year in dear Thommie’s memory.

I think of Thommie Walsh so often I can’t tell you. Today would have been Thommie’s 64th birthday.

Love and miss you madly, Thommie.

**********************************************************

Thommie was a 2-time Tony Award winner, an original cast member of the ground-breaking A Chorus Line, and my dear wonderful friend.

Thommie came into my life in so many ways. As a young actor and dancer, I was forever changed by his performance in A Chorus Line. The boy who grew up near Buffalo but “couldn’t remember the name of the town” – he’d blocked it out. His work on Broadway was the stuff wide-eyed young actors or dancers like me only dreamed about. He danced in several Broadway shows – including A Chorus Line – and then graduated to director/choreographer. As Tommy Tune’s partner, he won two Tony Awards: for “A Day in Hollywood / A Night in the Ukraine” and “My One And Only.”

Many, many other accomplishments and awards came Thommie’s way. Too numerous to mention.

But my favorite memory of Thommie was as my friend. In 2002, Donna McKechnie was asked to perform her developing one woman show “Inside The Music” in Los Angeles. Thommie was her director and choreographer. The theater was a small theater on a budget, so Donna asked if Thommie could stay with me. Every single day was a holiday with Thommie in the house. Having consulted on some of Donna’s earlier shows, I accompanied Thommie to rehearsals and did what I could to help. But just being around Thommie made life better and funnier and more wonderful. We became very fast friends.

He was constantly supportive of my work as a director and/or choreographer. A few years later, when I was choreographing a show off-Broadway he insisted he come to see the show. Then he made a point of meeting me for dinner at Joe Allens (famous Broadway restaurant) to talk about it. I’ll never forget the look in his eyes when he sat down, smiled, and simply said to me “you did good – I loved it.”

His sense of humor, his directness in any situation, everything about Thommie worked for me. I honestly loved this man. My wonderful friend.

In late 2006, however, he stopped returning phone calls. I worried something was wrong. I reached out to everyone I could. At one point – on a cold Christmas eve – I stood outside a holiday dinner in the cold on the phone with Cynthia Onrubia who had assisted him on some shows. The news was not good. I was distraught. I practically begged this woman who barely understood who I was to keep me informed as his health deteriorated.

News was slow to come over the next several months. And then, on a hot summer night, June 16, 2007, he passed away. This boy-wonder of Broadway was gone.

I’ll never forget where I was when I heard the news. I was riding in a car in Las Vegas when a friend called me and said “did you hear about Thommie?”

I held my breath in silence as long as I could. I didn’t want to know. Perhaps if I stopped breathing it wouldn’t be true.  Several heart-beats went by. Please let it be anything that didn’t manifest in my imagination. I’m dramatic – surely I’m wrong.

I wasn’t. My friend on the other end of the call was sad and silent. But the news had come.

Gone.

But never forgotten. I remember Thommie’s birthday every year. March 15th – the Ides of March. From Julius Caesar – “beware the Ides of March.” Beware indeed. He used his own birthday onstage in A Chorus Line as “Bobby” or “Robert Charles Joseph Henry Mills, III” as his introduction went. Isn’t that funny?

I was honored to play his role in A Chorus Line several times and always thought of Thommie when I did. Near the end of his character’s monologue, he had a line that said “I just wanted to see if anyone would notice me.”

Boy – did the world notice Thommie.

I miss Thommie every time I think of him, which is often. His laugh, his humor, his talent, his friendship… all of it without boundaries.

I’d love to regale you with some stories I lived with him, but they may not be suitable for this post. If you knew him, you know what I mean. If you don’t, then please know I hope someday you know someone like him so you will.

Except there will never be another Thommie Walsh. Ever. And my eyes tear up with joy and sadness every time I know that.

Thommie – how very lucky am I to have known you. I miss you still. I always will.

Thommie once advised me if you were going to steal, steal from the best. So, to steal a phrase from Thommie – “love you madly – always.”

Tony Award winner Blythe Danner returning to Broadway and LA stage with “The Country House”

Excellent news for theater-goers in Los Angeles and in New York City, via LA Times:

Blythe Danner will return to Broadway in the new Donald Margulies play “The Country House,” which is scheduled to open Oct. 2 in a production by the Manhattan Theater Club. But before bowing in New York, Danner and the play will open at the Geffen Playhouse in Los Angeles for a month-long run starting in June.

As previously announced, “The Country House,” directed by Daniel Sullivan, is set to open at the Geffen on June 11. (The staging will be a co-production between the Geffen and MTC.)

As regular readers of The Randy Report know, I was fortunate to get to know Blythe while appearing on Broadway with her in the first revival of Stephen Sondheim’s Follies.  The entire cast was a big family and I’ve stayed in contact with Blythe since.  She’s as charming and wonderful a person as you would hope, and her talent continues to know no bounds. (By the way – Tony Award nomination for that performance.  Just saying…).

This current theater season, I saw Blythe’s fantastic performance in “The Commons of Pensacola” with Sarah Jessica Parker at the Manhattan Theater Club. Great, great play (which I still think should be brought to Broadway for a longer run), and exquisite performances – especially from Blythe.

I will definitely be seeing “The Country House” in LA.  Maybe I can get some Follies alum to join me at the same performance…?

Trailer: New “Annie” movie with Jamie Foxx and Quvenzhané Wallis

New, updated version of the 1970s musical hit in theaters December 19th.

Starring Jamie Foxx and Quvenzhané Wallis (youngest-ever recipient of an Best Actress Oscar nomination for Beasts Of The Southern Wild).

Plus Bobby Cannevale and Cameron Diaz as “Mrs. Hannigan.”

Produced by Jay-Z and Will Smith.

More info at www.Annie-Movie.com

)