Elaine Stritch: I’m just becoming aware I’m a gay icon

PrideSource has a great interview with Broadway legend Elaine Stritch. I highly recommend reading it.

Among many things that stand out is Stritch’s statement that she never really knew she had a following in the gay community until recently:

A Broadway legend has to be aware the community thinks she’s an icon, but no, not Stritch. “I’m just becoming aware of it,” she admits, but why now? “By articles such as this one. I really have become very much aware, first of all, what great audiences they are. And it isn’t that I finally discovered that gay people understand me and straight people don’t – oh, no no no. Not a word of truth in that. I can’t tell you how many straight people I know that think I am the cat’s pajamas.”

But not knowing you have a gay following until now, 70 years into your career … a career in one of the gayest professions pursuable: the theater? Stritch is as surprised as you are.

“It sounds like I’ve lost my mind, but I feel like I’m becoming aware of it.

She also addresses how much she loves gay men’s humor and her deep affection for Edward Albee.

A new documentary on her life today “Elaine Stritch: Shoot Me” was recently released.

(h/t JMG)

Norm Lewis is the next “Phantom” in Broadway’s PHANTOM OF THE OPERA

Excellent news that the fab Norm Lewis will be taking over the role of “the Phantom” in Broadway’s long running mega-hit PHANTOM OF THE OPERA.

The Tony Award nominee for PORGY AND BESS will be the first African-American to assume the role on Broadway (although Robert Guillaume sang the Phantom in the Los Angeles production in 1990).

And even more, his “Christine” will be Sierra Boggess who starred with Norm in the Broadway production of “The Little Mermaid.”

Sierra played “Christine” in the Las Vegas incarnation of the show and then went on to create the role in the sequel “Love Never Dies” in London.

From the New York Times:

“Having worked with Norm since the 90s, when he played John in ‘Miss Saigon’ on Broadway, and then Javert on Broadway in ‘Les Misérables’ in 2006,” Cameron Mackintosh, one of the show’s producers, said in a statement, “I couldn’t be more thrilled that he is now joining ‘Phantom,’ matched with Sierra – one of the finest Christines ever. It’s hard to imagine a more exciting pairing.”

Norm and Sierra begin performances on Broadway on May 12th.

Happy Birthday Thommie Walsh

I originally posted this on March 15, 2011.  This is an important post for me, which I’ve now shared for the past three years.  And I plan to post it every year in dear Thommie’s memory.

I think of Thommie Walsh so often I can’t tell you. Today would have been Thommie’s 64th birthday.

Love and miss you madly, Thommie.

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Thommie was a 2-time Tony Award winner, an original cast member of the ground-breaking A Chorus Line, and my dear wonderful friend.

Thommie came into my life in so many ways. As a young actor and dancer, I was forever changed by his performance in A Chorus Line. The boy who grew up near Buffalo but “couldn’t remember the name of the town” – he’d blocked it out. His work on Broadway was the stuff wide-eyed young actors or dancers like me only dreamed about. He danced in several Broadway shows – including A Chorus Line – and then graduated to director/choreographer. As Tommy Tune’s partner, he won two Tony Awards: for “A Day in Hollywood / A Night in the Ukraine” and “My One And Only.”

Many, many other accomplishments and awards came Thommie’s way. Too numerous to mention.

But my favorite memory of Thommie was as my friend. In 2002, Donna McKechnie was asked to perform her developing one woman show “Inside The Music” in Los Angeles. Thommie was her director and choreographer. The theater was a small theater on a budget, so Donna asked if Thommie could stay with me. Every single day was a holiday with Thommie in the house. Having consulted on some of Donna’s earlier shows, I accompanied Thommie to rehearsals and did what I could to help. But just being around Thommie made life better and funnier and more wonderful. We became very fast friends.

He was constantly supportive of my work as a director and/or choreographer. A few years later, when I was choreographing a show off-Broadway he insisted he come to see the show. Then he made a point of meeting me for dinner at Joe Allens (famous Broadway restaurant) to talk about it. I’ll never forget the look in his eyes when he sat down, smiled, and simply said to me “you did good – I loved it.”

His sense of humor, his directness in any situation, everything about Thommie worked for me. I honestly loved this man. My wonderful friend.

In late 2006, however, he stopped returning phone calls. I worried something was wrong. I reached out to everyone I could. At one point – on a cold Christmas eve – I stood outside a holiday dinner in the cold on the phone with Cynthia Onrubia who had assisted him on some shows. The news was not good. I was distraught. I practically begged this woman who barely understood who I was to keep me informed as his health deteriorated.

News was slow to come over the next several months. And then, on a hot summer night, June 16, 2007, he passed away. This boy-wonder of Broadway was gone.

I’ll never forget where I was when I heard the news. I was riding in a car in Las Vegas when a friend called me and said “did you hear about Thommie?”

I held my breath in silence as long as I could. I didn’t want to know. Perhaps if I stopped breathing it wouldn’t be true.  Several heart-beats went by. Please let it be anything that didn’t manifest in my imagination. I’m dramatic – surely I’m wrong.

I wasn’t. My friend on the other end of the call was sad and silent. But the news had come.

Gone.

But never forgotten. I remember Thommie’s birthday every year. March 15th – the Ides of March. From Julius Caesar – “beware the Ides of March.” Beware indeed. He used his own birthday onstage in A Chorus Line as “Bobby” or “Robert Charles Joseph Henry Mills, III” as his introduction went. Isn’t that funny?

I was honored to play his role in A Chorus Line several times and always thought of Thommie when I did. Near the end of his character’s monologue, he had a line that said “I just wanted to see if anyone would notice me.”

Boy – did the world notice Thommie.

I miss Thommie every time I think of him, which is often. His laugh, his humor, his talent, his friendship… all of it without boundaries.

I’d love to regale you with some stories I lived with him, but they may not be suitable for this post. If you knew him, you know what I mean. If you don’t, then please know I hope someday you know someone like him so you will.

Except there will never be another Thommie Walsh. Ever. And my eyes tear up with joy and sadness every time I know that.

Thommie – how very lucky am I to have known you. I miss you still. I always will.

Thommie once advised me if you were going to steal, steal from the best. So, to steal a phrase from Thommie – “love you madly – always.”

Tony Award winner Blythe Danner returning to Broadway and LA stage with “The Country House”

Excellent news for theater-goers in Los Angeles and in New York City, via LA Times:

Blythe Danner will return to Broadway in the new Donald Margulies play “The Country House,” which is scheduled to open Oct. 2 in a production by the Manhattan Theater Club. But before bowing in New York, Danner and the play will open at the Geffen Playhouse in Los Angeles for a month-long run starting in June.

As previously announced, “The Country House,” directed by Daniel Sullivan, is set to open at the Geffen on June 11. (The staging will be a co-production between the Geffen and MTC.)

As regular readers of The Randy Report know, I was fortunate to get to know Blythe while appearing on Broadway with her in the first revival of Stephen Sondheim’s Follies.  The entire cast was a big family and I’ve stayed in contact with Blythe since.  She’s as charming and wonderful a person as you would hope, and her talent continues to know no bounds. (By the way – Tony Award nomination for that performance.  Just saying…).

This current theater season, I saw Blythe’s fantastic performance in “The Commons of Pensacola” with Sarah Jessica Parker at the Manhattan Theater Club. Great, great play (which I still think should be brought to Broadway for a longer run), and exquisite performances – especially from Blythe.

I will definitely be seeing “The Country House” in LA.  Maybe I can get some Follies alum to join me at the same performance…?

Trailer: New “Annie” movie with Jamie Foxx and Quvenzhané Wallis

New, updated version of the 1970s musical hit in theaters December 19th.

Starring Jamie Foxx and Quvenzhané Wallis (youngest-ever recipient of an Best Actress Oscar nomination for Beasts Of The Southern Wild).

Plus Bobby Cannevale and Cameron Diaz as “Mrs. Hannigan.”

Produced by Jay-Z and Will Smith.

More info at www.Annie-Movie.com

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Lea Salonga sings “Back To Before” from RAGTIME

Tony Award-winner Lea Salonga’s critically acclaimed Café Carlyle cabaret concert, Back to Before, filmed live at The Allen Room, Jazz at Lincoln.

This is a voice, kids.

New York Times music critic Stephen Holden wrote: “Ms. Salonga is a performer whose formidable talent is matched by her unstoppable drive and keen intelligence. As Broadway divas go, she is a cut above most.”

Tony Award-winner Billy Porter’s new solo album – “Billy’s Back on Broadway”

On April 15, 2014, Tony Award-winner Billy Porter will release his debut CD on Concord Records, Billy’s Back on Broadway.

Featuring ten classics made famous on the Great White Way that focus on inspiration, empowerment and hope, the album’s title is a nod to Sammy Davis, Jr.’s recording Sammy’s Back on Broadway.

“The canon of great Broadway songs is so vast and I have so many favorites that the only way I could narrow them down was to choose a theme,” Porter says of the songs on Billy’s Back on Broadway. “Once I settled on what I wanted to say and the journey I wanted the listener to take, the songs made their presence known rather quickly.”

While Porter grew up as a gospel singer, he transitioned to theater, making his Broadway debut in the original cast of Miss Saigon. “Seeing Jennifer Holliday from Dreamgirls perform on the Tony® Awards telecast and later discovering Barbra Streisand by listening to her albums at the Carnegie Library in Pittsburgh really changed everything for me,” Porter says of his career path. “When Barbra released her first Broadway album I was about 15 years old, and I thought, ‘One day, I’m going to make my own Broadway album – just like Babs!’”

Joining Billy on one track will be pop music legend and fellow Tony Award-winner Cyndi Lauper, dueting with Porter on “Happy Days/Get Happy,” a tune made famous by Streisand and Judy Garland. “I’ve said it before and I’ll say it again. Cyndi is one of the godmothers of individuality,” Porter explains. “She forged a path for so many of us that didn’t fit into the status quo. I learned so much and have felt so inspired by her journey as an artist and human being before I even knew her. She’s a blessing and a gift, and I’m so thrilled she said ‘yes’ when I asked her to sing on this album.”

Porter continues to star on Broadway in Kinky Boots in his award winning role as “Lola.”  The show, based on the 2005 British movie of the same name, tells the story of a drag queen who helps to rescue a floundering shoe factory. Kinky Boots celebrates its one year on Broadway anniversary in April 2014.

Now the winner of every major theater award, including the 2013 Tony® Award for Best Actor in a Musical, Porter is truly living the dream.

The CD is available for pre-order on Amazon.

Track Listing for Billy’s Back on Broadway

1. But The World Goes Round
2. Everything’s Coming Up Roses
3. Don’t Rain On My Parade
4. On The Street Where You Live
5. I’ve Gotta Be Me
6. I’m Not My Father’s Son
7. Happy Days/Get Happy (w/Cyndi Lauper)
8. Luck Be A Lady
9. Take The Moment
10. I Am Changing

(via press release)

Broadway: “Bridges of Madison County” opens tonight

Thinking best and most beautiful thoughts to the cast of “The Bridges of Madison County” tonight as they open on Broadway.

I was fortunate to work with leading lady Kelli O’Hara in the first Broadway revival of FOLLIES, and she’s just a dream.  All the accolades, and the praise – it’s all well-earned.

And mark my words – this show will mark a star out of leading man Steven Pasquale.

Listen below to some of the fab music.  It’s really glorious.

More info on the show – click here.

Original cast of Broadway’s TITANIC reunites for Avery Fisher Hall gala

Celebrating the 17th anniversary of Maury Yeston’s Tony Award winning TITANIC, Manhattan Concert Productions is producing a one-night-only concert staging on February 17 at Avery Fisher Hall.

The evening will reunite much of the original cast, including Michael Cerveris, Brian d’Arcy James, Martin Moran, David Garrison, and Becky Ann Baker, backed by a chorus of 250 and the New York City Chamber Orchestra.

At a rehearsal studio press event, the cast shared a few selections for the cameras.

Watch below as Moran and d’Arcy James sing their gorgeous rendition of “The Proposal/The Night Was Alive.”  And watch as the cast begins to lose it at the 2:30 mark.

For ticket info for Titanic in Concert, click here.